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I have not wanted to intimidate audiences. I have not wanted my dancing to be an elitist form. That doesn't mean I haven't wanted it to be excellent.

Twyla Tharp

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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Wanted
Audiences
Mean
Excellent
Dancing
Havens
Haven
Audience
Intimidate
Doesn
Elitist
Form
Intimidating

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If you're speaking of love, you really must include the element of uncertainty - and perhaps it's best approached as the art of constant maintenance.
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Every work of art needs a spine – an underlying theme, a motive for coming into existence. It doesn't have to be apparent to the audience. But you need it at the start of the creative process to guide you and keep you going.
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In the future, I will make certain that I commit to projects so there's enough breathing space for me to have an emotional life.
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I had received my first establishment grants in response to applications filed the year before. To the pages of baffling forms I had simply attached a handwritten note saying, 'I make dances, not applications. Send the money. Love, Twyla.
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A young person has to start making decisions for themselves at a much earlier age than an overbearing parent allows one.
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Whom the gods wish to destroy, they give unlimited resources.
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The way I enjoyed spending time most was dancing. That's from the time I was a very small child, When I was 4 or 5 years old, I remember already having a regime. It was the way I always identified myself.
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Any comic is a tragic soul. Comedy is one of the things that allows one to survive. Particularly if one has been in the process of separating off the emotions, it's one place you can process them.
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You don't have a really good idea until you combine two little ideas.
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I think of music as fuel, its spectrum of energy governed by tempi, volume, and heart.
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More often than not I've found, a rut is a consequence of sticking to tried and tested methods that don't take into account how you or the world has changed.
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Creativity requires quite a lot of faith - not just in yourself but also in the knowledge that you have the right to proceed, even when you may not know exactly what you're doing.
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The blank space can be humbling. But I've faced it my whole professional life. It's my job. It's also my calling. Bottom line: Filling this empty space constitutes my identity.
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In terms of individuals who actually inspired me, very few of the academic people that I had access to had that power over me. Maybe it's simply because I wasn't that committed to geometry.
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With each piece I've completed I have worked to make it intact, and each of them has been an equal high. It's like children. A mother refuses to pick out one as a favorite, and I can't do any better with the dances.
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I was valedictorian. Did I enjoy going to school? I hated it. It wasn't a choice on my part, it was expected.
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When I'm in the studio, when I'm warm, when I'm what people call improvising, I feel a very special connection. I feel the most right. I don't want to become too mystic about this, but things feel as though they're in the best order at that particular moment.
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The more you know, the better you can imagine.
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When creativity has become your habit when you've learned to manage time, resources, expectations, and the demands of others when you understand the value and place of validation, continuity, and purity of purpose, then you're on the way to an artist's ultimate goal the achievement of mastery.
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Before you can think out of the box, you have to start with a box
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