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I learned very early that an audience would relax and look at things differently if they felt they could laugh with you from time to time. There's an energy that comes through the release of tension that is laughter.
Twyla Tharp
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Twyla Tharp
Age: 83
Born: 1941
Born: July 1
Ballet Dancer
Choreographer
Dancer
Writer
Portland
Indiana
Time
Energy
Laughter
Comes
Laugh
Felt
Early
Art
Laughing
Look
Joy
Differently
Looks
Learned
Relax
Things
Audience
Tension
Would
Happiness
Release
More quotes by Twyla Tharp
Alone is a fact, a condition where no one else is around. Lonely is how you feel about that.
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I had always seen myself as a star I wanted to be a galaxy.
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I think a sense of humor will help get a girl out of a dark place.
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As people who have commitments and obligations, we try to blockade emotions and go on our course towards excellence, and that's a lie. I've definitely paid a price. Everything is an exchange.
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I was fortunate to love men, so I could put them on stage and make roles for them, and move through their bodies in a way that they enjoy doing...
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Ultimately there is no such thing as failure. There are lessons learned in different ways.
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I have the wherewithal to challenge myself for my entire life. That's a great gift.
Twyla Tharp
There's an energy that comes through the release of tension that is laughter.
Twyla Tharp
Limits are a secret blessing, and bounty can be a curse.
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To make real change, you have to be well anchored - not only in the belief that it can be done, but also in some pretty real ways about who you are and what you can do.
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Later in life, one of the compensations is gliding effortlessly into focus in a thing. Since it is who we are, anything that is not the focus or supportive thereof is just not us. Even outside issues, when they arise, are interesting in that they only help define the focus more clearly.
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Without passion, all the skill in the world won't lift you above craft.
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Life is about moving, it’s about change. And when things stop doing that they’re dead.
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Well, Mozart is extraordinary not only in that he became virtuoso along the lines of his father, but that he had that compositional gift, that melodic gift. By the time he was four, he was doing piano concertos with harmony in the background.
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Playwrights have texts, composers have scores, painters and sculptors have the residue of those activities, and dance is traditionally an ephemeral, effervescent, here-today-gone-tomorrow kind of thing.
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When I'm in the studio, when I'm warm, when I'm what people call improvising, I feel a very special connection. I feel the most right. I don't want to become too mystic about this, but things feel as though they're in the best order at that particular moment.
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I have always felt one of the things dance should do - its business being so clearly physical - is challenge the culture's gender stereotypes.
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I think that probably the moments of discovery do come from a place that is not totally organized. Order is something that we already know about. Discoveries are in a place we don't already know about.
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I have learned over the years that you should never save for two meetings what you can accomplish in one.
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