Quote

The most dangerous thing in the world is to make a friend of an Englishman, because he'll come sleep in your closet rather than spend 10 shillings on a hotel.

Truman Capote

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Truman Capote
Age: 59 †
Born: 1924
Born: September 30
Died: 1984
Died: August 25
Actor
Artist
Author
Autobiographer
Journalist
Novelist
Playwright
Screenwriter
Writer
New Orleans
Louisiana
Truman Streckfus Persons
Truman Garcia Capote
Friend
Dangerous
Shillings
Sleep
Englishman
Rather
Englishmen
Come
Closet
Thing
Closets
Make
Hotel
World
Spend

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I never had a rejection slip in my life.
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I told you: you can make yourself love anybody.
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One day, I started writing, not knowing that I had chained myself for life to a noble but merciless master. When God hands you a gift, he also hands you a whip and the whip is intended solely for self-flagellation... I'm here alone in my dark madness, all by myself with my deck of cards - and, of course, the whip God gave me.
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The true beloveds of this world are in their lover's eyes lilacs opening, ship lights, school bells, a landscape, remembered conversations, friends, a child's Sunday, lost voices, one's favorite suit, autumn and all seasons, memory, yes, it being the earth and water of existence, memory.
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The only obligation any artist can have is to himself. His work means nothing, otherwise. It has no meaning.
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I knew Lee Harvey Oswald, and I knew Jack Kennedy. The odds against that-one person knowing all four of those men-must be astounding.
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Shoot, boy, the country's just fulla folks what knows everything, and don't understand nothing, just fullofem.
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She sounds the way bananas taste.
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All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.
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Most secrets should never be told, but especially those that are more menacing to the listener than to the teller.
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I thought of the future, and spoke of the past.
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I am always drawn back to places where I have lived, the houses and their neighborhoods.
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Past certain ages or certain wisdoms it is very difficult to look with wonder it is best done when one is a child after that, and if you are lucky, you will find a bridge of childhood and walk across it.
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I also write the last paragraph or page of a story first. That way I always know what I'm working towards.
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A conversation is a dialogue, not a monologue. That's why there are so few good conversations: due to scarcity, two intelligent talkers seldom meet.
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There is no shame — having a dirty face — the shame comes when you keep it dirty.
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The wind is us-- it gathers and remembers all our voices, then sends them talking and telling through the leaves and the fields.
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At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can't forget it-it will haunt you till it's written.
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I always write the end of everything first. I always write the last chapters of my books before I write the beginning....Then I go back to the beginning. I mean, it's always nice to know where you're going is my theory.
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Hulga the whole while hollering like a half-slaughtered hog. (Attention, students of literature! Alliteration - have you noticed? - is my least vice.)
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