I try to be somewhat wary of fame, but I'm not wary of success.

I always thought I was sort of awkward and goofy-looking. I'm still kind of gangly.

I look a lot like my father when he was my age.

I dont think about the Fonda legacy much.

Gel doesn't work in my hair because it has a life of its own.

I can disappear into things very easily. But with acting, you have to be in the moment, and it gives me this incredibly fulfilling emotion: being really present.

School is such an encouraging and safe environment. It's filled with idealism and just really working on your craft. When you enter the business world - where art meets commerce - it can become quite depressing.

My mother was married to one of the greatest newsmen of all times. CNN was built out of his idealism and his recognition that, in a global age, we needed greater understanding of the world around us.

I spent all of my childhood at a performance art camp. Putting on plays, it was more like commedia dell'arte. It wasn't career-oriented in any way. It was more fun and therapeutic, so I never really thought of it as something I would end up doing. I was more convinced I was going to be a painter.

I want to show my range before I fall into any typecasting. I've turned down a lot of things trying to wait. But at the end of my career, whether that be tomorrow or 40 years from now, I would like to look back and be able to say, 'Ah, I never fell into any gimmicks.'

When I was in the 9th grade, on Halloween night, when you're supposed to go and out and burn your city, my mom made me go to 'Cirque du Soleil.' I was kicking and screaming. This girl came out onstage, and I was instantly mesmerized. I dropped out of school and became obsessed with her. I saw the show, like, 70 times.

I grew up around acting, but it was never thought of as a career.

I work out, but not like I should.