I look a lot like my father when he was my age.

I try to be somewhat wary of fame, but I'm not wary of success.

I can disappear into things very easily. But with acting, you have to be in the moment, and it gives me this incredibly fulfilling emotion: being really present.

I always thought I was sort of awkward and goofy-looking. I'm still kind of gangly.

I grew up around acting, but it was never thought of as a career.

When I was in the 9th grade, on Halloween night, when you're supposed to go and out and burn your city, my mom made me go to 'Cirque du Soleil.' I was kicking and screaming. This girl came out onstage, and I was instantly mesmerized. I dropped out of school and became obsessed with her. I saw the show, like, 70 times.

Gel doesn't work in my hair because it has a life of its own.

I want to show my range before I fall into any typecasting. I've turned down a lot of things trying to wait. But at the end of my career, whether that be tomorrow or 40 years from now, I would like to look back and be able to say, 'Ah, I never fell into any gimmicks.'

I spent all of my childhood at a performance art camp. Putting on plays, it was more like commedia dell'arte. It wasn't career-oriented in any way. It was more fun and therapeutic, so I never really thought of it as something I would end up doing. I was more convinced I was going to be a painter.

My mother was married to one of the greatest newsmen of all times. CNN was built out of his idealism and his recognition that, in a global age, we needed greater understanding of the world around us.

I work out, but not like I should.

I dont think about the Fonda legacy much.

School is such an encouraging and safe environment. It's filled with idealism and just really working on your craft. When you enter the business world - where art meets commerce - it can become quite depressing.