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The script for 'In Good Company' was the first one I ever showed my dad.

Topher Grace

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Topher Grace
Age: 46
Born: 1978
Born: July 19
Actor
Film Actor
Film Producer
Television Actor
Voice Actor
New York City
New York
Christopher Grace
Christopher John Grace
Company
Ever
Firsts
First
Good
Showed
Script
Scripts
Dad

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I’m not a comedian, but I love the comedians who know when to get off the stage.
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I really need a therapist.
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It's hard to understand the films that you're in, because you never truly get to see them.
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I'm very social. It's just most of my friends are not actors.
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I love working with people who can teach me, because they're masters of the same business I'm in.
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It is strange when you're a loser in college, which I was, to then get your own show.
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The great thing about playing a character that's similar to the audience, or similar to you, is that you get to have the same reaction that you would actually have to whatever's going on.
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The 30-year-old male is about as far away from Valentine's Day as you can get in the human experience.
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I think it's good to have a nice, healthy group of people all doing different things. A lot of my friends don't even work in Hollywood they just happen to live in L.A.
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I'm not just friends with fellow actors, but I find that a lot of people are out here in L.A. I go out of my way to make sure that's not the case, but I do have a lot of friends who are actors.
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I have a rule that I won't Google my own name.
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The whole acting thing is a buffet. One, in terms of role choice and movie choice, I like to do lots of different things, and I think that's the whole fun of it. But I also see it as a buffet in terms of the character.
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I feel bad for young actors who become huge stars too quickly, because you haven't had a chance to practice your craft a lot.
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You can tell when someone is just trying to use you. It becomes just someone who's hanging around. Whenever someone sucks up to me, it never goes anywhere because I'm too boring a guy.
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What I've been saying to people is that I write it.
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To be able to work with someone who you learn so much from is a really valuable experience.
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Sometimes I get mad when I think that I only have maybe 40 or 50 more springs in New York. When I miss one, 'cause I'm on location for a film, I wanna go, 'That's it, that just cost me one of my 50!'
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I would be a terrible director, I could never write anything. One of my great strengths is that I know all of my weaknesses.
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L.A. is this huge epicenter of the most popular person. Can you imagine, every single high school in the world where someone says, You're so beautiful, you could be a movie star, all of those one people move to this town called L.A.
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I do have a concern about projecting. I've never projected or had any reason to project before. In fact, the camera has only gotten closer to me going from TV to film.
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