Quote

Shooting in real-life situations helps actors because they're competing against the noise and the wind. Out of that comes things that shift and change, in terms of tone, but not in terms of re-honing the whole sequence.

Tony Scott

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Tony Scott
Age: 68 †
Born: 1944
Born: June 21
Died: 2012
Died: August 19
Actor
Film Director
Film Producer
Screenwriter
Television Producer
Anthony David Scott
Anthony David Leighton Scott
Whole
Terms
Sequence
Wind
Shift
Real
Situation
Competing
Things
Term
Situations
Life
Actors
Tone
Comes
Shooting
Helping
Helps
Change
Noise
Honing

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I have a short attention span.
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Ridley and I talk every day. Our family is very close because were from North England.
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Mum was the matriarch and the patriarch of the family.
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With every movie I do and every day I go to work, my goal is not just to reach for difference, but also figure out how to look at world and characters in a different way.
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I love shooting with real things in the real world. I think it gives a level of drama, performance, and everything seems to rise to the occasion.
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Its very hard trying to talk to an actor about how they should deliver lines, or cut their hair, unless it comes from a place of a strong point of view.
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The real world is where I get to educate and entertain myself. I go and touch the real world and touch real people. That's my way into movies.
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There's one great script that hit my desk that I didn't change at all, and that was True Romance.
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I thought that subtitles are boring because they're there generally to serve us with information to make you understand what people are saying in a different language.
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A lot of actors talk about doing their homework, but very few of them do it.
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The world is sick of big IT things that don't work.
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I make a movie because it's something that inspires me.
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I think we're lucky because there are very few people in life who get to do what we're doing.
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The scariest thing in my life is the first morning of production on all my movies. It's the fear of failing, the loss of face and a sense of guilt that everybody puts their faith in you and not coming through.
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The biggest edge I live on is directing. That's the most scary, dangerous thing you can do in your life.
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I'm trying to use the camera to get into people's heads. I use camera techniques a lot to articulate character.
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