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Developing films with directors, developing films with actors, is a poor percentage play for a screenwriter.

Tony Gilroy

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Tony Gilroy
Age: 68
Born: 1956
Born: September 11
Film Director
Film Producer
Screenwriter
Manhattan borough
New York City
Anthony Joseph Gilroy
Percentages
Developing
Directors
Films
Poor
Actors
Film
Play
Percentage

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Everyone I know who used to be in the intelligence community is moving into the corporate world.
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I think what I've recognized over the years is that I'm very, very bingey, extremely bingey when it comes to writing.
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I don't remember writing anything until I wrote my college application.
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I like knowing where I am in action sequences if I'm supposed to.
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If you think about it, episodic filmmaking has not been something that people have really done.
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No one should feel sorry for a successful screenwriter.
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I can't imagine directing from someone else's script.
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I love IMAX when it works right.
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You just try to find something that interests you, and particular something that interests you that's gonna consume you the way that these big movies just really eat you up.
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You have to know human behaviour … And the quality of your writing is absolutely capped at your understanding of human behaviour. You’ll never write above what you know about people.
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I prefer writing originals.
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Different people work different ways.
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I have written a bunch of scripts that have not gotten produced, much more so early in my career than later.
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I don't like to be crazy on different levels all of the time.
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A reversal is just anything that's a surprise. It's a way of keeping the audience interested.
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No one can help you write. No one can teach you how to write.
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I like emotions, but I really don't like sentimentality, and I don't like when things break their spell.
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The writing is really hard. You're alone. It really pulls it out of you. You pull it out of your head. But when you're a director, you're shopping - you're picking this actor, you're picking this scene. It's like the most intense kinetic high-speed shopping of all time. You sit in a chair and it will all come rushing at you like a wind tunnel.
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I worked for a lot of directors.
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