Quote

There's always something every night that I learn from reacting to what the audience is reacting to. You learn what to leave out, what to put in, if you need a little more comedy or more drama.

Tony Bennett

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Tony Bennett
Age: 98
Born: 1926
Born: August 3
Actor
Autobiographer
Jazz Musician
Painter
Recording Artist
Singer
New York City
New York
Anthony Dominick Benedetto
Anthony Dominick Tony Benedetto
Anthony Benedetto
Every
Comedy
Something
Audience
Always
Learn
Night
Littles
Little
Reacting
Need
Drama
Needs
Leave

More quotes by Tony Bennett

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What I really search for is something that I really love hearing, something that's my own private game: If I find a song I really like, I try to do a definitive version.
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I have a very strong passion to sing and paint. I'm really a student.
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The bottom line of any country is: what did we contribute to the world? We contributed Louis Armstrong.
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The young people look great on television. They’re youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven’t got the training to hold an audience for an hour and a half or so.
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That song helped make me a world citizen. It allowed me to live, work and sing in any city on the globe. It changed my whole life.
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I know the history of the record business so well because I followed Billie Holiday into the record studios. It was so primitive compared to the sophisticated business today.
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Luckily for his audiences, Bennett doesn't tire of singing I Left My Heart. ... that song made me a world citizen. And when I do it, it always feels like the first time.
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I'd like to have every gentleman and lady in this room commit themselves to get our government to legalize drugs. So they have to get it through a doctor, not just some gangsters who sell it under the table. Let's legalize drugs like they did in Amsterdam. No one's hiding or sneaking around corners to get it. They go to a doctor to get it.
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It's the kind of turn that happened to the great country of Germany, when Nazis came over and created tragic things, and they had to be told off. And if we continue this kind of violence and accept it in our country, the rest of the world's going to really take care of us, in a very bad way.
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I have to say I owe my career to the master composers of the Great American Songbook who have written such high-quality songs - the best popular music ever composed.
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If you follow your passion, you'll never work a day in your life.
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We're in an era where the demand is for immediate hits that are destined to become obsolescent. Six months later, everyone forgets the artist and the tune. It's become like a con job. Producers, engineers, lawyers and accountants all make money, but the artists don't.
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Sometimes the teacher would tell me that if you're singing a love song and you just don't feel it with a person or something you've experienced, just think of a dog or cat that you love.
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I've taken stuff from people, too. You know though, if you steal from one person, you're just a thief. But if you steal from everyone, that's research.
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I'm not the type of person who likes to look backwards. I've always felt compelled to move forward and I've never been one to dwell in the past. All the people I've met, all the places I've been, and all the things that I've done have simply been part of who I am.
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You can't teach it [jazz singing]. There's nobody who can teach you how to sing jazz. Either you know how to sing jazz, or you don't.
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I always feel the audience is my best teacher.
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Someday, when I'm awfully low, and the world is cold, I will feel a glow just thinking of you, and the way you look tonight.
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I have been very fortunate to have been able to make a living from what I love to do best - performing and singing for people.
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More than anybody else I’d like to thank Count Basie for teaching me how to perform.
Tony Bennett