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There's always something every night that I learn from reacting to what the audience is reacting to. You learn what to leave out, what to put in, if you need a little more comedy or more drama.
Tony Bennett
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Tony Bennett
Age: 98
Born: 1926
Born: August 3
Actor
Autobiographer
Jazz Musician
Painter
Recording Artist
Singer
New York City
New York
Anthony Dominick Benedetto
Anthony Dominick Tony Benedetto
Anthony Benedetto
Always
Learn
Night
Littles
Little
Reacting
Need
Drama
Needs
Leave
Every
Comedy
Something
Audience
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You can't teach it [jazz singing]. There's nobody who can teach you how to sing jazz. Either you know how to sing jazz, or you don't.
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I have been very fortunate to have been able to make a living from what I love to do best - performing and singing for people.
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I always feel the audience is my best teacher.
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It's the kind of turn that happened to the great country of Germany, when Nazis came over and created tragic things, and they had to be told off. And if we continue this kind of violence and accept it in our country, the rest of the world's going to really take care of us, in a very bad way.
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Every city I go to is an opportunity to paint, whether it's Omaha or Hawaii.
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Sometimes the teacher would tell me that if you're singing a love song and you just don't feel it with a person or something you've experienced, just think of a dog or cat that you love.
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The bottom line of any country is: what did we contribute to the world? We contributed Louis Armstrong.
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Someday, when I'm awfully low, and the world is cold, I will feel a glow just thinking of you, and the way you look tonight.
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I have to say I owe my career to the master composers of the Great American Songbook who have written such high-quality songs - the best popular music ever composed.
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I knew very early that somehow I would sing and draw and paint my whole life.
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I have a very strong passion to sing and paint. I'm really a student.
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I know the history of the record business so well because I followed Billie Holiday into the record studios. It was so primitive compared to the sophisticated business today.
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I don't disrespect the audience. I only sing very well-written, intelligent songs.
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It helps to know there is going to be continuity.
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I still insist that American performers are the best performers in the world.
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When the uncreative tell the creative what to do, it stops being art.
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I've been so fortunate because I never really had ups and downs as far as my career. Ninety-nine percent of the time, I've been sold out all over the world.
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That song helped make me a world citizen. It allowed me to live, work and sing in any city on the globe. It changed my whole life.
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I think if you have a passion for what you do then there are no limitations on how long or how much you can accomplish.
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We're in an era where the demand is for immediate hits that are destined to become obsolescent. Six months later, everyone forgets the artist and the tune. It's become like a con job. Producers, engineers, lawyers and accountants all make money, but the artists don't.
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