Quote

There's always something every night that I learn from reacting to what the audience is reacting to. You learn what to leave out, what to put in, if you need a little more comedy or more drama.

Tony Bennett

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Tony Bennett
Age: 98
Born: 1926
Born: August 3
Actor
Autobiographer
Jazz Musician
Painter
Recording Artist
Singer
New York City
New York
Anthony Dominick Benedetto
Anthony Dominick Tony Benedetto
Anthony Benedetto
Something
Audience
Always
Learn
Night
Littles
Little
Reacting
Need
Drama
Needs
Leave
Every
Comedy

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Luckily for his audiences, Bennett doesn't tire of singing I Left My Heart. ... that song made me a world citizen. And when I do it, it always feels like the first time.
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Someday, when I'm awfully low, and the world is cold, I will feel a glow just thinking of you, and the way you look tonight.
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If you follow your passion, you'll never work a day in your life.
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It's the kind of turn that happened to the great country of Germany, when Nazis came over and created tragic things, and they had to be told off. And if we continue this kind of violence and accept it in our country, the rest of the world's going to really take care of us, in a very bad way.
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That song helped make me a world citizen. It allowed me to live, work and sing in any city on the globe. It changed my whole life.
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What I really search for is something that I really love hearing, something that's my own private game: If I find a song I really like, I try to do a definitive version.
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I always feel the audience is my best teacher.
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I have a very strong passion to sing and paint. I'm really a student.
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I'd like to have every gentleman and lady in this room commit themselves to get our government to legalize drugs. So they have to get it through a doctor, not just some gangsters who sell it under the table. Let's legalize drugs like they did in Amsterdam. No one's hiding or sneaking around corners to get it. They go to a doctor to get it.
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We're in an era where the demand is for immediate hits that are destined to become obsolescent. Six months later, everyone forgets the artist and the tune. It's become like a con job. Producers, engineers, lawyers and accountants all make money, but the artists don't.
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I have to say I owe my career to the master composers of the Great American Songbook who have written such high-quality songs - the best popular music ever composed.
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I've been so fortunate because I never really had ups and downs as far as my career. Ninety-nine percent of the time, I've been sold out all over the world.
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I think in all of the arts there are just certain people that have a gift. I think it's a certain spirituality, it's a God-given gift that just certain individuals have.
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I am very much inspired by the great masters of entertainment: Bob Hope, George Burns, Jimmy Durante - who never thought about retiring. When people ask me if I plan to retire, I say, Retire to what? I am doing what I love best right now!
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I don't disrespect the audience. I only sing very well-written, intelligent songs.
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The young people look great on television. They’re youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven’t got the training to hold an audience for an hour and a half or so.
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I have been very fortunate to have been able to make a living from what I love to do best - performing and singing for people.
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I knew very early that somehow I would sing and draw and paint my whole life.
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I still insist that American performers are the best performers in the world.
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I've taken stuff from people, too. You know though, if you steal from one person, you're just a thief. But if you steal from everyone, that's research.
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