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There's always something every night that I learn from reacting to what the audience is reacting to. You learn what to leave out, what to put in, if you need a little more comedy or more drama.
Tony Bennett
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Tony Bennett
Age: 98
Born: 1926
Born: August 3
Actor
Autobiographer
Jazz Musician
Painter
Recording Artist
Singer
New York City
New York
Anthony Dominick Benedetto
Anthony Dominick Tony Benedetto
Anthony Benedetto
Every
Comedy
Something
Audience
Always
Learn
Night
Littles
Little
Reacting
Need
Drama
Needs
Leave
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I have a very strong passion to sing and paint. I'm really a student.
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The bottom line of any country is: what did we contribute to the world? We contributed Louis Armstrong.
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You can't teach it [jazz singing]. There's nobody who can teach you how to sing jazz. Either you know how to sing jazz, or you don't.
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I think if you have a passion for what you do then there are no limitations on how long or how much you can accomplish.
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I'd like to have every gentleman and lady in this room commit themselves to get our government to legalize drugs. So they have to get it through a doctor, not just some gangsters who sell it under the table. Let's legalize drugs like they did in Amsterdam. No one's hiding or sneaking around corners to get it. They go to a doctor to get it.
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I still insist that American performers are the best performers in the world.
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I've taken stuff from people, too. You know though, if you steal from one person, you're just a thief. But if you steal from everyone, that's research.
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I think in all of the arts there are just certain people that have a gift. I think it's a certain spirituality, it's a God-given gift that just certain individuals have.
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It helps to know there is going to be continuity.
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I always feel the audience is my best teacher.
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Sometimes the teacher would tell me that if you're singing a love song and you just don't feel it with a person or something you've experienced, just think of a dog or cat that you love.
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If you follow your passion, you'll never work a day in your life.
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We're in an era where the demand is for immediate hits that are destined to become obsolescent. Six months later, everyone forgets the artist and the tune. It's become like a con job. Producers, engineers, lawyers and accountants all make money, but the artists don't.
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I knew very early that somehow I would sing and draw and paint my whole life.
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Every city I go to is an opportunity to paint, whether it's Omaha or Hawaii.
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It's the kind of turn that happened to the great country of Germany, when Nazis came over and created tragic things, and they had to be told off. And if we continue this kind of violence and accept it in our country, the rest of the world's going to really take care of us, in a very bad way.
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I know the history of the record business so well because I followed Billie Holiday into the record studios. It was so primitive compared to the sophisticated business today.
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When the uncreative tell the creative what to do, it stops being art.
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I don't disrespect the audience. I only sing very well-written, intelligent songs.
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