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You can't teach it [jazz singing]. There's nobody who can teach you how to sing jazz. Either you know how to sing jazz, or you don't.
Tony Bennett
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Tony Bennett
Age: 98
Born: 1926
Born: August 3
Actor
Autobiographer
Jazz Musician
Painter
Recording Artist
Singer
New York City
New York
Anthony Dominick Benedetto
Anthony Dominick Tony Benedetto
Anthony Benedetto
Sing
Singing
Nobody
Either
Teach
Jazz
More quotes by Tony Bennett
I've taken stuff from people, too. You know though, if you steal from one person, you're just a thief. But if you steal from everyone, that's research.
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I knew very early that somehow I would sing and draw and paint my whole life.
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I don't look down to an audience. I look up to them. They respond to quality.
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More than anybody else I’d like to thank Count Basie for teaching me how to perform.
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Luckily for his audiences, Bennett doesn't tire of singing I Left My Heart. ... that song made me a world citizen. And when I do it, it always feels like the first time.
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Sometimes the teacher would tell me that if you're singing a love song and you just don't feel it with a person or something you've experienced, just think of a dog or cat that you love.
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If you follow your passion, you'll never work a day in your life.
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I know the history of the record business so well because I followed Billie Holiday into the record studios. It was so primitive compared to the sophisticated business today.
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That song helped make me a world citizen. It allowed me to live, work and sing in any city on the globe. It changed my whole life.
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I've been so fortunate because I never really had ups and downs as far as my career. Ninety-nine percent of the time, I've been sold out all over the world.
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There's always something every night that I learn from reacting to what the audience is reacting to. You learn what to leave out, what to put in, if you need a little more comedy or more drama.
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I always feel the audience is my best teacher.
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What I really search for is something that I really love hearing, something that's my own private game: If I find a song I really like, I try to do a definitive version.
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It's the kind of turn that happened to the great country of Germany, when Nazis came over and created tragic things, and they had to be told off. And if we continue this kind of violence and accept it in our country, the rest of the world's going to really take care of us, in a very bad way.
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We're in an era where the demand is for immediate hits that are destined to become obsolescent. Six months later, everyone forgets the artist and the tune. It's become like a con job. Producers, engineers, lawyers and accountants all make money, but the artists don't.
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I am very much inspired by the great masters of entertainment: Bob Hope, George Burns, Jimmy Durante - who never thought about retiring. When people ask me if I plan to retire, I say, Retire to what? I am doing what I love best right now!
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Every city I go to is an opportunity to paint, whether it's Omaha or Hawaii.
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I still insist that American performers are the best performers in the world.
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I have to say I owe my career to the master composers of the Great American Songbook who have written such high-quality songs - the best popular music ever composed.
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When the uncreative tell the creative what to do, it stops being art.
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