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The habit of getting up early, which I had formed when the children were young, now became my choice. I am not very bright or very witty or very inventive after the sun goes down.

Toni Morrison

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Toni Morrison
Age: 88 †
Born: 1931
Born: February 18
Died: 2019
Died: August 5
Audiobook Narrator
Librettist
Novelist
Poet
University Teacher
Writer
Lorain
Ohio
Chloe Ardelia Wofford
Chloe Anthony Wofford-Morrison
Chloe Anthony Wofford
Morrison
Chloe Anthony Wofford Morrison
Writing
Early
Choice
Habit
Inventive
Goes
Formed
Choices
Witty
Getting
Bright
Young
Sun
Children
Became

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You looked at me then like you knew me, and I thought it really was Eden, and I couldn't take your eyes in because I was loving the hoof marks on your cheeks.
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To get to a place where you could love anything you chose--not to need permission for desire--well now _that_ was freedom.
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I am in the position of judging people by the best they've ever done rather than the worst.
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I sang O Holy Night in a school choir. My mother came and listened to me and complimented me. So that was the high point. I cannot sing a note.
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Pain. I seem to have an affection, a kind of sweettooth for it. Bolts of lightning, little rivulets of thunder. And I the eye of the storm.
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The best part of all, the absolutely most delicious part, is finishing it and then doing it over I rewrite a lot, over and over again, so that it looks like I never did.
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Whatever happens, whether you get rich or stay poor, ruin your health or live to old age, you always end up back where you started: hungry for the one thing everybody loses - young loving.
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If you want to fly, you have to give up the things that weigh you down.
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I know there's some poetry that sort of sounds like daisies, but most of the good poetry is also [political], you can feel the heartbeat it's about some situation that concerns human beings under duress. It's suggesting a solution, or just acknowledging that [the situation] exists. Art does that.
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Lonely, ain't it? Yes, but my lonely is mine. Now your lonely is somebody else's. Made by somebody else and handed to you. Ain't that something? A secondhand lonely.
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It seems to me everything Shakespeare did was political.
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The formula for creative writing in high school or college is write what you know.
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I guess I'm depressed. I don't know. I can't explain it. Part of it is the irritability of being 84, and part of it is being not as physically strong as I once was. And part of it is my misunderstanding, I think, of what's going on in the world.
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I want to feel what I feel. What's mine. Even if it's not happiness, whatever that means. Because you're all you've got.
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Most of our lives are spent in little towns, little towns all throughout the country. That's where we live. And that's where the juices come from and that's where we made it, not made it in terms of success but made who we are.
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Unpersecuted, unjailed, unharrassed writers are trouble for the ignorant bully, the sly racist, and the predators feeding off the world's resources.
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The vitality of language lies in its ability to limn the actual, imagined and possible lives of its speakers, readers, writers.
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What I think the political correctness debate is really about is the power to be able to define. The definers want the power to name. And the defined are now taking that power away from them.
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When you know your name, you should hang on to it, for unless it is noted down and remembered, it will die when you do.
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Sweet, she thought. He must think I can't bear to hear him say it. That after all I have told him and after telling me how many feet I have, goodbye would break me to pieces. Ain't that sweet. So long, she murmured from the far side of the trees.
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