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Normally, even if you're on the set for 12 hours, there may be only a moment or two when you are actually useful.

Tom Stoppard

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Tom Stoppard
Age: 87
Born: 1937
Born: July 3
Dramaturge
Film Director
Journalist
Playwright
Screenwriter
Translator
Writer
Zlin
Sir Tom Stoppard
Even
Normally
Useful
Hours
Actually
Moment
Moments
Two
May

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A writer doesn't really have much of a function on a movie set.
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It takes character to withstand the rigours of indolence.
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I don't write at the library, because I smoke when I work or would like the possibility of a smoke. Also, I need to be at my own desk.
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My scripts are possibly too talkative.
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I'm the kind of person who embarks on an endless leapfrog down the great moral issues. I put a position, rebut it, refute the rebuttal and rebut the refutation. Endlessly.
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The House of Lords, an illusion to which I have never been able to subscribe - responsibility without power, the prerogative of the eunuch throughout the ages.
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I'm attracted to the past.
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Chater: You dare to call me that. I demand satisfaction! Septimus: Mrs Chater demanded satisfaction and now you are demanding satisfaction. I cannot spend my time day and night satisfying the demands of the Chater family.
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It would have been nice to have had unicorns.
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Art cannot be subordinate to its subject, otherwise it is not art but biography.
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When you stir your rice pudding, Septimus, the spoonful of jam spreads itself round making red trails like the picture of a meteor in my astronomical atlas. But if you stir backwards, the jam will not come together again. Indeed, the pudding does not notice and continues to turn pink just as before. Do you think this is odd?
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Uncertainty is the normal state.
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ROS: Why don't you go and have a look? GUIL: Pragmatism?! - is that all you have to offer?
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Plays...Maidens aspiring to Godheads and vice versa!
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I was interested by the idea that artists working in a totalitarian dictatorship or tsarist autocracy are secretly and slightly shamefully envied by artists who work in freedom. They have the gratification of intense interest: the authorities want to put them in jail, while there are younger readers for whom what they write is pure oxygen.
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In England the rich own the poor and the men own the women.
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You can't but know that if you can capture the emotions of the audience as well as their minds, the play will work better, because it's a narrative art form.
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There is no one so radical as a man-servant whose freedom of the champagne bin has been interfered with.
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Maturity is a high price to pay for growing up.
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The truth is always a compound of two half- truths, and you never reach it, because there is always something more to say.
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