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Having translated two plays by Chekhov, and not speaking Russian myself - I cannot say one sentence. This may shock people... However, I am not shocked, as it is not hard to find out what the words mean.
Tom Stoppard
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Tom Stoppard
Age: 87
Born: 1937
Born: July 3
Dramaturge
Film Director
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Zlin
Sir Tom Stoppard
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More quotes by Tom Stoppard
Rosencrantz: I don't believe in it anyway. Guildenstern: What? Rosencrantz: England. Guildenstern: Just a conspiracy of cartographers, then?
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I've got no interest in educating or instructing people.
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Better a fallen rocket than never a burst of light.
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Uncertainty is the normal state.
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Well I believe in the desirability of an optimal society.
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Suicide is no more than a trick played on the calendar.
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Rosencrantz: We might as well be dead. Do you think death could possibly be a boat? Guildenstern: No, no, no... Death is...not. Death isn't. You take my meaning. Death is the ultimate negative. Not-being. You can't not-be on a boat. Rosencrantz: I've frequently not been on boats. Guildenstern: No, no, no--what you've been is not on boats.
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Life in a box is better than no life at all, I expect. You'd have a chance at least. You could lie there thinking: Well, at least I'm not dead.
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I never had any frustration about writing uncredited. I always felt that the satisfaction of doing it was in the doing of it, really, and getting recognised by the small number of people that know what you did.
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Writing a play is like smashing that [glass] ashtray, filming it in slow motion, and then running the film in reverse, so that the fragments of rubble appear to fly together. You start - or at least I start - with the rubble.
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He says his aim is poetry. One does not aim at poetry with pistols. At poets, perhaps.
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Maturity is a high price to pay for growing up.
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Every age thinks it's the modern age, but this one really is. Electricity is going to change everything. Everything!
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Personally I am in favour of education but a university is not the place for it.
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I really love being in postproduction. First of all, it's all quite self-interested: You can protect things.
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Actors! The mechanics of cheap melodrama! That isn't death! You scream and choke and sink to your knees but it doesn't bring death home to anyone- it doesn't catch them unawares and start the whisper in their skulls that says- 'One day you are going to die.
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In January 1962, when I was the author of one and a half unperformed plays, I attended a student production of 'The Birthday Party' at the Victoria Rooms in Bristol. Just before it began, I realised that Harold Pinter was sitting in front of me.
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There must have been a moment, at the beginning, were we could have said -- no. But somehow we missed it.
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...Everything has to be taken on trust truth is only that what is taken to be true. It's the currency if living. There may be nothing behind it, but it doesn't make any difference so long as it is honoured. One acts on assumptions. What do you assume?
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Sometimes directors feel a script needs something, but they're not sure what it is, so they show it to a friend if the friend is a writer, he ends up kicking around with that script for a while.
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