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Maturity is a high price to pay for growing up.

Tom Stoppard

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Tom Stoppard
Age: 87
Born: 1937
Born: July 3
Dramaturge
Film Director
Journalist
Playwright
Screenwriter
Translator
Writer
Zlin
Sir Tom Stoppard
Maturity
Price
Pay
Growing
High
Inspirational
Boots

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I've lost all capacity for disbelief. I'm not sure that I could even rise to a little gentle scepticism.
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In January 1962, when I was the author of one and a half unperformed plays, I attended a student production of 'The Birthday Party' at the Victoria Rooms in Bristol. Just before it began, I realised that Harold Pinter was sitting in front of me.
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Act first! The ideas will follow, and if not - well, it's progress
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I don't really have a system or set of principles. It's kind of common sense mixed up with instinct.
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It's where we're nearest to our humanness. Useless knowledge for its own sake. Useful knowledge is good, too, but it's for the faint-hearted, an elaboration of the real thing, which is only to shine some light, it doesn't matter where on what, it's the light itself, against the darkness, it's what's left of God's purpose when you take away God.
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Life in a box is better than no life at all, I expect. You'd have a chance at least. You could lie there thinking: Well, at least I'm not dead.
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I've got no interest in educating or instructing people.
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Between just desserts and tragic irony we are given quite a lot of scope for our particular talent. Generally speaking, things have gone about as far as they can possibly go when things have got about as bad as they reasonably get.
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Writing a play is like smashing that [glass] ashtray, filming it in slow motion, and then running the film in reverse, so that the fragments of rubble appear to fly together. You start - or at least I start - with the rubble.
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One of the nice things about the world of filmmaking is that you make friends in the business.
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The tragedy of journalism is that these are people doing their best work.
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The House of Lords, an illusion to which I have never been able to subscribe - responsibility without power, the prerogative of the eunuch throughout the ages.
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It is better to be quotable than to be honest.
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Rosencrantz: We might as well be dead. Do you think death could possibly be a boat? Guildenstern: No, no, no... Death is...not. Death isn't. You take my meaning. Death is the ultimate negative. Not-being. You can't not-be on a boat. Rosencrantz: I've frequently not been on boats. Guildenstern: No, no, no--what you've been is not on boats.
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It is not hard to understand modern art. If it hangs on a wall it's a painting, and if you can walk around it it's a sculpture.
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War is capitalism with the gloves off and many who go to war know it but they go to war because they don't want to be a hero.
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It takes character to withstand the rigours of indolence.
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Plays...Maidens aspiring to Godheads and vice versa!
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Childhood is Last Chance Gulch for happiness. After that, you know too much.
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The names for things don't come first. Words stagger after, hopelessly trying to become the sensation.
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