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How can you admire a human who consciously embraces the bland, the mediocre, and the safe rather than risk the suffering that disappointment can bring?

Tom Robbins

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Tom Robbins
Age: 92
Born: 1932
Born: July 22
Author
Autobiographer
Biographer
Journalist
Novelist
Writer
Blowing Rock
North Carolina
Thomas Eugene Robbins
Embrace
Safe
Risk
Embraces
Bring
Bland
Suffering
Consciously
Rather
Mediocre
Human
Disappointment
Humans
Admire

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I travel in gardens and bedrooms, basements and attics, around corners, through doorways and windows, along sidewalks, over carpets, down drainpipes, in the sky, with friends, lovers, children and heros perceived, remembered, imagined, distorted and clarified.
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Dreamily the Princess stood up. I'm not sure if I can walk, she said. Then I'll carry you. Is that what love is? I no longer know what love is. A week ago I had a lot of ideas. What love is and how to make it stay. Now that I'm in love, I haven't a clue. Now that I'm in love, I'm completely stupid on the subject.
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The goal of this generation's pioneers should be to restrict procreation and limit consumption. They should also take every opportunity to make themselves happy, realizing that the key to self-generated happiness (the only reliable kind) is the refusal to take oneself too seriously.
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That's the way the mind works: the brain is genetically disposed towards organization, yet if not controlled, will link even the most imagerial fragment to another on the flimsiest pretense and in the most freewheeling manner, as if it takes a kind of organic pleasure in creative association, without regards to logic or chronological sequence.
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I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
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Leave me in the night but please don't leave me in the dark
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