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If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
History
Shakespeare
Look
Settings
Play
Allows
Looks
Plays
Setting
Intensification
Emotions
Predicament
Extraordinary
Predicaments
Emotion
Monarchy

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With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
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American cinema tends to express a patriotic relationship to national identity on a regular basis.
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The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
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Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
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I have a yearning someday to do one of these huge juggernauts.
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I think people enjoy finding out something genuinely new.
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In The King's Speech, patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time.
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Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
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After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast and the airfield.
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Some of my most special shooting experiences have been at weekends.
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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.
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I think English film is very embarrassed by patriotism, generally.
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I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
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The irony of a director going to film festivals is you never get to see any of the films.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
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I'm the son of highly functioning parents who I'm incredibly lucky to have.
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I began to think that if you're a stutterer, it's about inhabiting silence, emptiness, and nothingness.
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