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If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
Setting
Intensification
Emotions
Predicament
Extraordinary
Predicaments
Emotion
Monarchy
History
Shakespeare
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Settings
Play
Allows
Looks
Plays

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Some of my most special shooting experiences have been at weekends.
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I began to think that if you're a stutterer, it's about inhabiting silence, emptiness, and nothingness.
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The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
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I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
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After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast and the airfield.
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I think English film is very embarrassed by patriotism, generally.
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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.
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I think people enjoy finding out something genuinely new.
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Great acting is all about being in the moment, being in the present tense.
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Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
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The irony of a director going to film festivals is you never get to see any of the films.
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Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
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Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
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I'm the son of highly functioning parents who I'm incredibly lucky to have.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
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A British villain never loses their sense of humour.
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American cinema tends to express a patriotic relationship to national identity on a regular basis.
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Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
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Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, I loved you last night. And they go, What about the week before? They immediately worry.
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I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
Tom Hooper