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I would say L.A. is more polite than London - it's a very careful place. People talk a lot in code.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
Would
People
Polite
Code
London
Careful
Talk
Place

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I think people enjoy finding out something genuinely new.
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A British villain never loses their sense of humour.
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I think English film is very embarrassed by patriotism, generally.
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The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
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If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.
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American cinema tends to express a patriotic relationship to national identity on a regular basis.
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I'm the son of highly functioning parents who I'm incredibly lucky to have.
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Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
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Great acting is all about being in the moment, being in the present tense.
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I began to think that if you're a stutterer, it's about inhabiting silence, emptiness, and nothingness.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
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After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast and the airfield.
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Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
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With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
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I have a yearning someday to do one of these huge juggernauts.
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Some of my most special shooting experiences have been at weekends.
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Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, I loved you last night. And they go, What about the week before? They immediately worry.
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I think directors can become overly infatuated by gilt and gold, and the word lavish and everything being magnificent.
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I think I would say 'The King's Speech' is surprisingly funny, in fact the audiences in London, Toronto, LA, New York commented there's more laughter in this film than in most comedies, while it is also a moving tear-jerker with an uplifting ending.
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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.
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