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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
Dreams
Voice
Dream
Come
Mean
Trying
Cry

More quotes by Tom Hooper

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American cinema tends to express a patriotic relationship to national identity on a regular basis.
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I think people enjoy finding out something genuinely new.
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The irony of a director going to film festivals is you never get to see any of the films.
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A British villain never loses their sense of humour.
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I began to think that if you're a stutterer, it's about inhabiting silence, emptiness, and nothingness.
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In The King's Speech, patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time.
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Great acting is all about being in the moment, being in the present tense.
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I think English film is very embarrassed by patriotism, generally.
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Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
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Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, I loved you last night. And they go, What about the week before? They immediately worry.
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I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
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With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
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American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.
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The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
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I think directors can become overly infatuated by gilt and gold, and the word lavish and everything being magnificent.
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Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
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After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast and the airfield.
Tom Hooper
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I think I would say 'The King's Speech' is surprisingly funny, in fact the audiences in London, Toronto, LA, New York commented there's more laughter in this film than in most comedies, while it is also a moving tear-jerker with an uplifting ending.
Tom Hooper
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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.
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Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
Tom Hooper