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I began to think that if you're a stutterer, it's about inhabiting silence, emptiness, and nothingness.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
Began
Silence
Think
Thinking
Inhabiting
Nothingness
Emptiness

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A British villain never loses their sense of humour.
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I would say L.A. is more polite than London - it's a very careful place. People talk a lot in code.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
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I'm the son of highly functioning parents who I'm incredibly lucky to have.
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I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.
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Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
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I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
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With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
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American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.
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If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.
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After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast and the airfield.
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The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
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I think people enjoy finding out something genuinely new.
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Some of my most special shooting experiences have been at weekends.
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Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, I loved you last night. And they go, What about the week before? They immediately worry.
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I have a yearning someday to do one of these huge juggernauts.
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Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
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American cinema tends to express a patriotic relationship to national identity on a regular basis.
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I think English film is very embarrassed by patriotism, generally.
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