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American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
American
Gender
Culture
Myth
Often
Across
Film
Travel
Great
Films
Make
Movies
Mining
Good
Class
Underlying
Age
Myths

More quotes by Tom Hooper

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I would say L.A. is more polite than London - it's a very careful place. People talk a lot in code.
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Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, I loved you last night. And they go, What about the week before? They immediately worry.
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Some of my most special shooting experiences have been at weekends.
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Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
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I think people enjoy finding out something genuinely new.
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Great acting is all about being in the moment, being in the present tense.
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I'm the son of highly functioning parents who I'm incredibly lucky to have.
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With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
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Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
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I think directors can become overly infatuated by gilt and gold, and the word lavish and everything being magnificent.
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I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.
Tom Hooper
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American cinema tends to express a patriotic relationship to national identity on a regular basis.
Tom Hooper
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Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
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Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
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The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
Tom Hooper
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I began to think that if you're a stutterer, it's about inhabiting silence, emptiness, and nothingness.
Tom Hooper
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In The King's Speech, patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time.
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If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.
Tom Hooper