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American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
Often
Across
Film
Travel
Films
Great
Movies
Mining
Make
Class
Underlying
Good
Age
Myths
American
Gender
Culture
Myth

More quotes by Tom Hooper

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Great acting is all about being in the moment, being in the present tense.
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I think English film is very embarrassed by patriotism, generally.
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I have a yearning someday to do one of these huge juggernauts.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
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Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
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If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.
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I think I would say 'The King's Speech' is surprisingly funny, in fact the audiences in London, Toronto, LA, New York commented there's more laughter in this film than in most comedies, while it is also a moving tear-jerker with an uplifting ending.
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I think directors can become overly infatuated by gilt and gold, and the word lavish and everything being magnificent.
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A British villain never loses their sense of humour.
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Some of my most special shooting experiences have been at weekends.
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Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
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I began to think that if you're a stutterer, it's about inhabiting silence, emptiness, and nothingness.
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With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.
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I'm the son of highly functioning parents who I'm incredibly lucky to have.
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Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
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The irony of a director going to film festivals is you never get to see any of the films.
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The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
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I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
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After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast and the airfield.
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