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American cinema tends to express a patriotic relationship to national identity on a regular basis.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
Bases
Express
National
Identity
Tends
Relationship
Patriotic
American
Regular
Cinema
Basis

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Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, I loved you last night. And they go, What about the week before? They immediately worry.
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I think I would say 'The King's Speech' is surprisingly funny, in fact the audiences in London, Toronto, LA, New York commented there's more laughter in this film than in most comedies, while it is also a moving tear-jerker with an uplifting ending.
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I think English film is very embarrassed by patriotism, generally.
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American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.
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I have a yearning someday to do one of these huge juggernauts.
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If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.
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I think directors can become overly infatuated by gilt and gold, and the word lavish and everything being magnificent.
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In The King's Speech, patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time.
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A British villain never loses their sense of humour.
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I think people enjoy finding out something genuinely new.
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The irony of a director going to film festivals is you never get to see any of the films.
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After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast and the airfield.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
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Great acting is all about being in the moment, being in the present tense.
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Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
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With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
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I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
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I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
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I began to think that if you're a stutterer, it's about inhabiting silence, emptiness, and nothingness.
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