Quote

American cinema tends to express a patriotic relationship to national identity on a regular basis.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
American
Regular
Cinema
Basis
Bases
Express
National
Identity
Tends
Relationship
Patriotic

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The irony of a director going to film festivals is you never get to see any of the films.
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The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
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I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
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I would say L.A. is more polite than London - it's a very careful place. People talk a lot in code.
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With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
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Great acting is all about being in the moment, being in the present tense.
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Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
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In The King's Speech, patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time.
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I think people enjoy finding out something genuinely new.
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Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
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I have a yearning someday to do one of these huge juggernauts.
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American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.
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Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
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I think I would say 'The King's Speech' is surprisingly funny, in fact the audiences in London, Toronto, LA, New York commented there's more laughter in this film than in most comedies, while it is also a moving tear-jerker with an uplifting ending.
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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.
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Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
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I think directors can become overly infatuated by gilt and gold, and the word lavish and everything being magnificent.
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Some of my most special shooting experiences have been at weekends.
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A British villain never loses their sense of humour.
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