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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
Think
Thumb
Thinking
Thumbs
Trauma
People
Throat
Print
Childhood
Goes
Many
Unrecognized

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I would say L.A. is more polite than London - it's a very careful place. People talk a lot in code.
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I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
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Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
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After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast and the airfield.
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I think people enjoy finding out something genuinely new.
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Some of my most special shooting experiences have been at weekends.
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If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.
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Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
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I think English film is very embarrassed by patriotism, generally.
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American cinema tends to express a patriotic relationship to national identity on a regular basis.
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I think directors can become overly infatuated by gilt and gold, and the word lavish and everything being magnificent.
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In The King's Speech, patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time.
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Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, I loved you last night. And they go, What about the week before? They immediately worry.
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I have a yearning someday to do one of these huge juggernauts.
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I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
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The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
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I'm the son of highly functioning parents who I'm incredibly lucky to have.
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I began to think that if you're a stutterer, it's about inhabiting silence, emptiness, and nothingness.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
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A British villain never loses their sense of humour.
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