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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
Think
Thumb
Thinking
Thumbs
People
Trauma
Throat
Print
Childhood
Goes
Many
Unrecognized

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I think directors can become overly infatuated by gilt and gold, and the word lavish and everything being magnificent.
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Great acting is all about being in the moment, being in the present tense.
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I think people enjoy finding out something genuinely new.
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I began to think that if you're a stutterer, it's about inhabiting silence, emptiness, and nothingness.
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I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
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I have a yearning someday to do one of these huge juggernauts.
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American cinema tends to express a patriotic relationship to national identity on a regular basis.
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Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
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I'm the son of highly functioning parents who I'm incredibly lucky to have.
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The thing that fascinates me is that the way I came to film and television is extinct. Then there were gatekeepers, it was prohibitively expensive to make a film, to be a director you had to be an entrepreneur to raise money.
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Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
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I think I would say 'The King's Speech' is surprisingly funny, in fact the audiences in London, Toronto, LA, New York commented there's more laughter in this film than in most comedies, while it is also a moving tear-jerker with an uplifting ending.
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Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
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Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, I loved you last night. And they go, What about the week before? They immediately worry.
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In The King's Speech, patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time.
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The irony of a director going to film festivals is you never get to see any of the films.
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I would say L.A. is more polite than London - it's a very careful place. People talk a lot in code.
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American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.
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I think English film is very embarrassed by patriotism, generally.
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Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
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