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I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
People
Trauma
Throat
Print
Childhood
Goes
Many
Unrecognized
Think
Thumb
Thinking
Thumbs

More quotes by Tom Hooper

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Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
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The irony of a director going to film festivals is you never get to see any of the films.
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I'm the son of highly functioning parents who I'm incredibly lucky to have.
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American cinema tends to express a patriotic relationship to national identity on a regular basis.
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I think directors can become overly infatuated by gilt and gold, and the word lavish and everything being magnificent.
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Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
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In The King's Speech, patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time.
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I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
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I think English film is very embarrassed by patriotism, generally.
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If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.
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I would say L.A. is more polite than London - it's a very careful place. People talk a lot in code.
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American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.
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With the coming of radio as a mass medium, suddenly the world changed. It became about, 'Can this leader project emotional connection through the way he speaks on the radio?' And the anxiety about whether he could do that, we've inherited.
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A British villain never loses their sense of humour.
Tom Hooper
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I think people enjoy finding out something genuinely new.
Tom Hooper
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I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
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Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
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Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, I loved you last night. And they go, What about the week before? They immediately worry.
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I have a yearning someday to do one of these huge juggernauts.
Tom Hooper