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In The King's Speech, patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time.

Tom Hooper

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Tom Hooper
Age: 52
Born: 1972
Born: October 5
Film Director
Film Producer
Screenwriter
Television Director
London
England
Time
Speech
Patriotism
Fight
Hasn
Within
Third
Clear
Thirds
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Fighting
King
Aggressors
Moment
Historical
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Kings
September

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American cinema tends to express a patriotic relationship to national identity on a regular basis.
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Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
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I mean, we've all had those dreams where, you know, we try to cry out and our voice won't come.
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Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
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Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
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I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
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I think directors can become overly infatuated by gilt and gold, and the word lavish and everything being magnificent.
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I think people enjoy finding out something genuinely new.
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The irony of a director going to film festivals is you never get to see any of the films.
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American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.
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