Quote

In the end, whether I write the script or, in this case, somebody else did, there's a point where you let it go when you're making a movie. You just have to. The thing that you shoot is not what you imagined in your head - it never is exactly that. And it shouldn't be.

Todd Haynes

Change background

T
T
T

Change font

TAGS & TOPICS

Todd Haynes
Age: 63
Born: 1961
Born: January 2
Actor
Film Director
Film Producer
Screenwriter
Television Director
Else
Cases
Ends
Somebody
Imagined
Writing
Head
Script
Thing
Movie
Shoot
Never
Point
Scripts
Whether
Shouldn
Making
Exactly
Write
Case

More quotes by Todd Haynes

Image
I envy musicians their ability to live their art and share it with an audience, in the moment. From a filmmaker's standpoint, that's so rare and pure in a way that I'm sure is way more complicated than it appears.
Todd Haynes
Image
In a way, I think Roxy Music is high camp, in a brilliant way.
Todd Haynes
Image
It's hard to transport myself forward in time, and the scarcity of opportunity back then kind of fueled my ambition. But back in my day, every family I knew had a Super 8 camera, and that's what I first picked up. We adapt to the technology we have available. But for the kids of today, they can really make something great with what is available.
Todd Haynes
Image
When you really do feel like an alien, and you really do feel like a space creature, and you really do feel you want to experiment and dress up and be different every day, to find what looks best but never stick to one thing... Just the fact that that was offered to those kids during that time is pretty remarkable.
Todd Haynes
Image
I figured I would be teaching my whole life and making experimental films on the side.
Todd Haynes
Image
I think by around the time I was about 8 or 9, the idea of filmmaking probably took hold. I made little Super 8 extravaganzas when I was a kid, the first being my own version of Romeo and Juliet, and where I played all the parts except for Juliet.
Todd Haynes
Image
In male-driven [films], the protagonist is not the person who's necessarily in harms way. There's a sense that they're going to figure out how to persevere and take on the obstacles and foes and you don't necessarily know if that's going to happen with the subjects of love stories.
Todd Haynes
Image
I'm a great admirer, fan and consumer of television. I love serial drama. I have been a major fan of HBO's series for many years.
Todd Haynes
Image
In my research, all roads led back to Oscar. It's definitely in a way trying to understand the truly English element to glam-rock. It really does not come from American culture.
Todd Haynes
Image
A refusal of nature as a model is a tradition that goes right back to Oscar Wilde.
Todd Haynes
Image
I always loved theater and acting in plays and directing, writing little plays and directing friends in plays.
Todd Haynes
Image
I think that's what I love about glam-rock. It invited you to participate. It asked you to change yourself in all these different ways, or offered up all these options.
Todd Haynes
Image
Doing a love story as a genre, and looking at love stories in movies, and feeling like I learned stuff about that, and that it broadened my view and my idea of what I can do, and how I can work with the people around me, that was such a great, really satisfying experience.
Todd Haynes
Image
I was about 6 or 7, I would have said I wanted to be an actor and an artist. And that just kind of kept honing itself around film and getting closer to film.
Todd Haynes
Image
I hope it's water under the bridge, but Richard Carpenter is a complicated individual, and he's also entitled to his own opinion on how his sister is depicted. The film has lived on and survived, and to me is ultimately is an affectionate celebration of Karen Carpenter. I hope that wins out in the end.
Todd Haynes
Image
There is no single approach that actors take to their craft. And the best thing you learn is that you have to really listen and respect each actor's own process and own method, and that takes a kind of delicate, non-imposing patience and openness, I think, to get the very best out of the people you work with.
Todd Haynes
Image
I don't pay attention to the 'marginalizers.' They simply don't have any impact anymore, on where we're headed or what the law is. I'm not worried about gay people in America right now, as opposed to their status in other countries. The change here was remarkable and swift, which was awesome, and we've witnessed that change right before our eyes.
Todd Haynes
Image
The ways in which Oscar Wilde was attacking the Romantics that preceded him, and the Romantic ideas that preceded him, were very similar to what the glam-rockers, particularly Bowie and Bryan Ferry, were attacking in the earnestness of '60s culture. Trying to shock, but with wit, cleverness, and homosexuality.
Todd Haynes
Image
I would just say there are no two roles that are more demanding than Bob Dylan of 1966 [Blanchett's role in 'I'm Not There'] and Carol Aird of 1952. I challenge any director out there to come up with a wider divide. I had to convince her to take the Dylan role, and that took effort. But with 'Carol,' she was already attached.
Todd Haynes
Image
What was so interesting about the glam era was that it was about bisexuality and breaking down the boundaries between gays and straights, breaking down the boundaries between masculinity and femininity with this androgyny thing.
Todd Haynes