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I never liked opera growing up. I always liked chamber music or solo music even more than orchestral music.

Tod Machover

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Tod Machover
Age: 70
Born: 1953
Born: November 24
Composer
Music Pedagogue
Pianist
Mount Vernon
New York
Music
Even
Always
Orchestral
Never
Chamber
Solo
Opera
Liked
Growing

More quotes by Tod Machover

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All the music we know that's popular is actually commonly shared music that takes things that are similar about all of us.
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The one obvious thing is that the devices are so good now that you can also see their limitations extremely well.
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My work on hyper instruments started with simple instruments, like the piano.
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My message is to forget about dichotomies. The Brain Opera is an opera, even if it does not tell a story in the usual way. It is a psychological journey with voices - so I do consider it an opera.
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There's just an incredibly rich and interesting relationship between our listening to music and the way our minds engage.
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One of the big mysteries of music is, if you take music without words, it means something to us because we know it's about something. It's about something important humanly, but since there are no words, nobody knows what it's about.
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I like the idea of imagining a sound and feeling a sound and then having it come out through your body, through an instrument. That's an important way to make music.
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I think from age 13, 14, 15, I thought, yes, this rich studio produced music is the future, but it can't be the future to go run away into the recording studio. How can we take that kind of complexity and richness and make it possible for people to touch it and play it live. That's what hyperinstruments are.
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One of my interests in music has always been what it means, why it affects us the way it does.
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The basic idea of a hyper instrument is where the technology is built right into the instrument so that the instrument knows how its being played - literally what the expression is, what the meaning is, what the direction of the music is.
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The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
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I love Bach, I love Beethoven, I love Mozart, I love the Beatles, I love you know, Stockhausen, I love many things. But for some reason I come back to Elizabethan music because it's a little bit like the Beatles.
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I have a big barn that I converted to my music studio, so I go there early in the morning and the first thing I do is rowing. And that's when I listen to a lot of music.
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I had grown up and gone to high school in New York, so I wanted to get out of the east coast.
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I've done a lot of operas. I've probably done more different kind of operas than anybody.
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I think in many ways, the texture of technology actually diminishes human beings. It doesn't augment them.
Tod Machover
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Any Beatles song is perfect. It gets to you right away.
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I love the cello, I love the physical sense of an instrument that's about the size of your body that vibrates enough that even if you play an open string, you feel it.
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The barn where I work, it's only 15 minutes or so from Harvard square, so It's very close to the center of Boston, but it happens to be a total oasis. It's completely quiet in there.
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I almost never these days sit down with a CD or my laptop and just listen to a piece with a score. I probably would do that while I'm exercising.
Tod Machover