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The English learned, in my view, how to use harmony much earlier than the French or the Italians, or the Germans.

Tod Machover

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Tod Machover
Age: 71
Born: 1953
Born: November 24
Composer
Music Pedagogue
Pianist
Mount Vernon
New York
French
Harmony
English
View
Views
Learned
Italians
Use
Germans
Much
Earlier

More quotes by Tod Machover

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I like the idea of imagining a sound and feeling a sound and then having it come out through your body, through an instrument. That's an important way to make music.
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The barn where I work, it's only 15 minutes or so from Harvard square, so It's very close to the center of Boston, but it happens to be a total oasis. It's completely quiet in there.
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My work on hyper instruments started with simple instruments, like the piano.
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Nobody talks about music as having intrinsic meaning, how it engages the mind.
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The one obvious thing is that the devices are so good now that you can also see their limitations extremely well.
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I have a big barn that I converted to my music studio, so I go there early in the morning and the first thing I do is rowing. And that's when I listen to a lot of music.
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Any Beatles song is perfect. It gets to you right away.
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I've done a lot of operas. I've probably done more different kind of operas than anybody.
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My message is to forget about dichotomies. The Brain Opera is an opera, even if it does not tell a story in the usual way. It is a psychological journey with voices - so I do consider it an opera.
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One of the big mysteries of music is, if you take music without words, it means something to us because we know it's about something. It's about something important humanly, but since there are no words, nobody knows what it's about.
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Music seems to stimulate more parts of our mind than almost every other activity. It combines more parts of our minds. It synchronizes our minds. It allows people in groups to do a non-verbal immediate activity together.
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All the music we know that's popular is actually commonly shared music that takes things that are similar about all of us.
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There's just an incredibly rich and interesting relationship between our listening to music and the way our minds engage.
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I went to the University of California, Santa Cruz for a year, which turned out to be a really vibrant, very intensive intellectual atmosphere where you could do a lot of aspect of music without it being a conservatory. And that's why I went there.
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I love Bach, I love Beethoven, I love Mozart, I love the Beatles, I love you know, Stockhausen, I love many things. But for some reason I come back to Elizabethan music because it's a little bit like the Beatles.
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I almost never these days sit down with a CD or my laptop and just listen to a piece with a score. I probably would do that while I'm exercising.
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I love the cello, I love the physical sense of an instrument that's about the size of your body that vibrates enough that even if you play an open string, you feel it.
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One of my interests in music has always been what it means, why it affects us the way it does.
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I think in many ways, the texture of technology actually diminishes human beings. It doesn't augment them.
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The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
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