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I have a big barn that I converted to my music studio, so I go there early in the morning and the first thing I do is rowing. And that's when I listen to a lot of music.

Tod Machover

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Tod Machover
Age: 70
Born: 1953
Born: November 24
Composer
Music Pedagogue
Pianist
Mount Vernon
New York
Early
Listen
Barn
Morning
Barns
Bigs
Rowing
Music
Converted
Firsts
Studio
First
Thing
Studios

More quotes by Tod Machover

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I've done a lot of operas. I've probably done more different kind of operas than anybody.
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Nobody talks about music as having intrinsic meaning, how it engages the mind.
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I think in many ways, the texture of technology actually diminishes human beings. It doesn't augment them.
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The English learned, in my view, how to use harmony much earlier than the French or the Italians, or the Germans.
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My work on hyper instruments started with simple instruments, like the piano.
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There's just an incredibly rich and interesting relationship between our listening to music and the way our minds engage.
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Music seems to stimulate more parts of our mind than almost every other activity. It combines more parts of our minds. It synchronizes our minds. It allows people in groups to do a non-verbal immediate activity together.
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I never liked opera growing up. I always liked chamber music or solo music even more than orchestral music.
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The barn where I work, it's only 15 minutes or so from Harvard square, so It's very close to the center of Boston, but it happens to be a total oasis. It's completely quiet in there.
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I'd studied piano first and switched over to cello when I was about seven. I played mostly chamber and solo classical music. I got really involved with rock music when I was a teenager. I wired up my cello.
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The one obvious thing is that the devices are so good now that you can also see their limitations extremely well.
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The basic idea of a hyper instrument is where the technology is built right into the instrument so that the instrument knows how its being played - literally what the expression is, what the meaning is, what the direction of the music is.
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The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
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Any Beatles song is perfect. It gets to you right away.
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I love Bach, I love Beethoven, I love Mozart, I love the Beatles, I love you know, Stockhausen, I love many things. But for some reason I come back to Elizabethan music because it's a little bit like the Beatles.
Tod Machover
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One of my interests in music has always been what it means, why it affects us the way it does.
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I think from age 13, 14, 15, I thought, yes, this rich studio produced music is the future, but it can't be the future to go run away into the recording studio. How can we take that kind of complexity and richness and make it possible for people to touch it and play it live. That's what hyperinstruments are.
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I almost never these days sit down with a CD or my laptop and just listen to a piece with a score. I probably would do that while I'm exercising.
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My message is to forget about dichotomies. The Brain Opera is an opera, even if it does not tell a story in the usual way. It is a psychological journey with voices - so I do consider it an opera.
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One of the big mysteries of music is, if you take music without words, it means something to us because we know it's about something. It's about something important humanly, but since there are no words, nobody knows what it's about.
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