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My message is to forget about dichotomies. The Brain Opera is an opera, even if it does not tell a story in the usual way. It is a psychological journey with voices - so I do consider it an opera.

Tod Machover

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Tod Machover
Age: 71
Born: 1953
Born: November 24
Composer
Music Pedagogue
Pianist
Mount Vernon
New York
Voice
Psychological
Tell
Message
Stories
Messages
Doe
Consider
Dichotomies
Even
Journey
Dichotomy
Way
Brain
Opera
Forget
Usual
Story
Voices

More quotes by Tod Machover

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The one obvious thing is that the devices are so good now that you can also see their limitations extremely well.
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I've done a lot of operas. I've probably done more different kind of operas than anybody.
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I had grown up and gone to high school in New York, so I wanted to get out of the east coast.
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All the music we know that's popular is actually commonly shared music that takes things that are similar about all of us.
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The barn where I work, it's only 15 minutes or so from Harvard square, so It's very close to the center of Boston, but it happens to be a total oasis. It's completely quiet in there.
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Nobody talks about music as having intrinsic meaning, how it engages the mind.
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I like the idea of imagining a sound and feeling a sound and then having it come out through your body, through an instrument. That's an important way to make music.
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I never liked opera growing up. I always liked chamber music or solo music even more than orchestral music.
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Music seems to stimulate more parts of our mind than almost every other activity. It combines more parts of our minds. It synchronizes our minds. It allows people in groups to do a non-verbal immediate activity together.
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I love Bach, I love Beethoven, I love Mozart, I love the Beatles, I love you know, Stockhausen, I love many things. But for some reason I come back to Elizabethan music because it's a little bit like the Beatles.
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I started thinking, my gosh, all this sophisticated software for measuring how Yo-Yo plays, and how he moves and this technique of the bow, I should be able to use similar techniques for measuring the way anybody moves, and so somebody who is not a professional or a trained musician, I should be able to make a musical environment for them.
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My work on hyper instruments started with simple instruments, like the piano.
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The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
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One of my interests in music has always been what it means, why it affects us the way it does.
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I went to the University of California, Santa Cruz for a year, which turned out to be a really vibrant, very intensive intellectual atmosphere where you could do a lot of aspect of music without it being a conservatory. And that's why I went there.
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I have a big barn that I converted to my music studio, so I go there early in the morning and the first thing I do is rowing. And that's when I listen to a lot of music.
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The English learned, in my view, how to use harmony much earlier than the French or the Italians, or the Germans.
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I think in many ways, the texture of technology actually diminishes human beings. It doesn't augment them.
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Any Beatles song is perfect. It gets to you right away.
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I love the cello, I love the physical sense of an instrument that's about the size of your body that vibrates enough that even if you play an open string, you feel it.
Tod Machover