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I often get sent scripts about little men in big situations. There's a comic element to it, which is forces stacked against this little guy, and how is he going to defeat them?

Toby Jones

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Toby Jones
Age: 58
Born: 1966
Born: September 7
Actor
Film Actor
Screenwriter
Stage Actor
Television Actor
Voice Actor
Hammersmith
London
Toby Edward Heslewood Jones
Tobias Edward Heslewood Jones
Men
Situation
Sent
Guy
Element
Bigs
Situations
Force
Scripts
Often
Comic
Littles
Forces
Little
Defeat
Going
Elements
Stacked

More quotes by Toby Jones

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I would absolutely like to play more leading roles. There’s no philosophy - well, the only philosophy, I suppose, is to try and do different things.
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There's something in the rhythm and roll of it that is connected to the way Hitchcock thinks and moves. Then there is everything he ingested - the cigar smoking and drinking that's imprinted on his voice.
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I went to meet Joe Johnston, the director, and he's charming. I've been very lucky. Most of the directors I've worked with are charming. But Joe's a particularly charming man, and he showed me lots of designs and, rather memorably, welcomed me to the Marvel Universe.
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Best ever was filming in Barcelona last year, and I had a couple of scenes with De Niro. He's a very shy man. Speaks so quietly that people tend to bend down and adopt the same tone, almost the same voice, whenever they talk to him - watching, you'd think someone's offering to carry out a hit for him when they're just offering him a cup of coffee.
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Jennifer [Lawrence] and Josh [Hutcherson] seem very, very grounded. They're getting down to the film like they did last time.
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I'm very interested in people, so if a character happens to be real, there's that much more to look at.
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I've got to tell you, I've played real characters before and people always bring up this word 'impersonation,' and I'm never entirely sure what it means.
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All of these red carpet events may seem natural for you journalists, but it doesn't feel natural for actors.
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Particularly [Alfred] Hitchcock, who takes his time with everything he says. There's a controlling way in how he speaks because he takes his time to finish all his sentences.
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I'd love most of the movies I make to be four hours long.
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One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is crucial. There is something about his silhouette that became his brand.
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It's hard for it to make a mark in this city because London has so much culture to offer.
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There's not a huge pile of scripts at home. It's what happens to be on the table at that moment with your availability. And then you have no control over when these things come out.
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I do always feel very proud and flattered by being asked to be a part of American productions playing American characters.
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I had to change the shape of my own voice. It was quite hard to pull off and so once I had it, I stayed in Hitchcock's voice all day on set.
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But I think the children of actors share a certain pragmatic approach. One is denied some of that 'running away with the circus' element of being an actor.
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They seem much rarer now, those auteur films that come out of a director's imagination and are elliptical and hermetic. All those films that got me into independent cinema when I was watching it seem thin on the ground.
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If you ever have the good fortune to meet Tippi Hedren, she's an amazing woman. You can't quite believe she is the age she is.
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It's always very strange to have your life dramatized because it never happens like that. Things will be different.
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I know, for a fact, that I'm a very different person on my own than I am with someone else. We are different with each other. These things are constantly adjusted. And that's true of humans. That's not just true of famous people.
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