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I was just dying to get out of the constraints of television, and the constraints of the parts I'd been playing. I had taken a bunch of improv classes and was performing with The Groundlings. I wanted to get into more adult, risky stuff.

Tim Matheson

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Tim Matheson
Age: 76
Born: 1947
Born: December 31
Actor
Film Actor
Film Director
Film Producer
Television Actor
Television Director
Voice Actor
Glendale
California
USA
Timothy Lewis Matthieson
Bunch
Parts
Groundlings
Dying
Improv
Playing
Risky
Television
Constraints
Taken
Classes
Stuff
Adult
Wanted
Performing

More quotes by Tim Matheson

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I'd come up with one leg in theater, but never my first leg. I loved the camera too much.
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With comedy, you really want to work things out beforehand.
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I love horror films. And I like chick flicks! I like to approach the different genres of moviemaking and explore them. And you get a little better the more you do them.
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I read Animal House and I said, I will burn down a house to be in this. I have to be in this movie. I read 1941 and I went, Well, if Steven Spielberg likes it... But it just wasn't on the page. It was a very big, unwieldy thing, and there were so many characters. It was fun to shoot, but I didn't know what the core of it was.
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Life has its ups and downs, so to expect otherwise is setting yourself up for disappointment.
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And it soon became obvious to me that I had to process and keep my relationship with my ex-wife separate from that of my children. They didn't need or want too much personal information about our relationship. Change is good, and ultimately, creating a new path at this point in my life is energizing, creative, and rejuvenating.
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I am inspired by music, travel, great architecture, and good, healthy food. I look for opportunities to learn about history, art, and cooking. When I learn, I grow.
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As a director, I know everybody's job, and I know how to do it. I can smell bullshit when someone's telling me it can't be done, because I've seen it done a hundred thousand times.
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We wanted to make Tucker's Witch just more human and playful, because I don't think we see enough playfulness between characters on TV. It's like, Who really gives a damn about two detectives on a case? The sillier we went, the better it worked.
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It's the kind of sage wisdom coming from a guy who was 25 at the time, but already had 20 years of experience. Kurt Russell is a wonderful actor and a great guy.
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Sam Kinison was one of the most compulsive people I'd ever seen. James Belushi was that way, and Chris Farley was that way. He was incredibly talented and made me laugh so hard, and there was nothing he wouldn't say. Such a unique, amazing, cynical, realistic, but still optimistic look at life he had. It was great fun to get to know him.
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Change is good, and ultimately, creating a new path at this point in my life is energizing, creative, and rejuvenating.
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I'd been working on more traditional movie sets and TV shows at Universal. All of a sudden, here we're on location in Animal House, and it's down and dirty and quick. It was the way the new commercial world was shooting the way the indie world was shooting. These were lighter, faster cameras. It was a generational change.
Tim Matheson
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Meeting Jerry Mathers I remember thinking, This is it, man. This is the Hollywood life! I'm an actor and I'm going to Jerry's party. This is how it begins! I was 13 or 14, and I thought this was the beginning of something.
Tim Matheson
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Working with Steven Spielberg, how bad could it be? But 1941 was one of those excessively big movies where every action scene was done and re-done and re-done again. It was so overproduced and overly expensive. And it wasn't terribly funny.
Tim Matheson
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I grew up on a set. The guys I hung around with were crew guys: the camera department, the prop guys. I was like the third kid through the door when I was a kid actor on Leave It To Beaver. I was always one of five guys who would have a couple lines. I was a journeymen actor in my first career, so I was appreciative of the journeymen on the set.
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Funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny. I think it's that if you don't have the visual, you have to infuse the full personality into the voice.
Tim Matheson
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Tucker's Witch was the first television I'd done in a while. It was just before Moonlighting, and just before you could get a little more outrageous on TV. We had a great premise.
Tim Matheson
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I kept thinking that with all those first jobs, This is the beginning of something! And then nothing would happen. That's the real Hollywood.
Tim Matheson