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It's funny, because I don't think of my films as slow-burn. I don't even know if I was familiar with the phrase until people started labeling me with it.

Ti West

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Ti West
Age: 44
Born: 1980
Born: October 5
Actor
Film Director
Film Editor
Film Producer
Screenwriter
Wilmington
Delaware
People
Familiar
Films
Started
Funny
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Even
Burn
Think
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More quotes by Ti West

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If people don't like [my film], the ship's sailed. There's nothing I can do about that.
Ti West
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I've done it with all my films. I always keep an eye on the first time I show it because... I don't know. Neurosis.
Ti West
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It's very important to me to find ways to relate the audience to the characters. This is the first thing to go in most mainstream horror films.
Ti West
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I'm not sure I understand the compulsion to label things.
Ti West
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Tommy Nohilly, who plays Tubby [ Valley of Violence], he came down to see the movie for the first time and I was like, You've got to come just to see people react to your [big scene]. I knew that would go well, but it's satisfying to me when he's sitting there and it actually does.
Ti West
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They're both [Ethan Hawke and John Travolta] so good. It's hard to explain. But they're consummate professionals and you see the little choices they make - you see it in their eye. You see these little details they do where you go, That's why they're them.
Ti West
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All those awkward moments - that's on the cast for doing such an amazing job. I think it was funny on the page, but when they did it, you definitely went, Oh! Watching it with a crowd that, like you said, was not expecting it to be funny, but then genuinely finding it funny, is totally a credit to their performances.
Ti West
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You get to actually make your movie. As a filmmaker, that's the dream. That's why you get up in the morning, to be able to do that. You feel constrained sometimes, but if the movie makes sense in the budget realm, then it isn't hard.
Ti West
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I always talk about movies a lot beforehand, and then we would get there, and I'd say, Let's play around and see how it goes. And they would do it, and I'd go, Well, that was awesome. It was really - I don't know, it was really special to watch them.
Ti West
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It's not the plot [of Valley of Violence] - the plot is the reason to get all these things to happen, all these character moments to happen. It was always meant to have these two perspectives.
Ti West
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Of course, we talked about Westerns we like with [James Ransone in Valley of Violence] , but it was always thematically in relation to the movie and what the themes of the movie were.
Ti West
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If you ever see the director pulling people aside, that means something's not working. Because you're trying to figure out why it's not working. But we would show up, we would talk about it.
Ti West
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You have to. But I generally try - I'll creep in the back. I'll be outside. I'll pace around. I don't really get that nervous about whether people like [my films].
Ti West
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Ethan [Hawke] just - they got along great. He got to act with a dog, for real, and it felt like Jumpy was acting with him. It was a surreal thing to watch. When you watch the movie [Valley of Violence], you just kind of accept it. But if you do think about how we show - there's a dog and a movie star interacting - and you buy it. That's crazy.
Ti West
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I'm doing an over-the-shoulder shot on a dog. I'm putting the camera behind the dog's shoulder. This is craziness. You just accept it in the movie [Valley of Violence], but when you make the movie, it's the weirdest thing. There's dog coverage, like it's a person.
Ti West
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That's what's interesting about people. It can be funny, but when [John] Travolta got there and did [comic moments] you're like, Oh! This is really funny. Or when Karen [Gillan] and Taissa [Farmiga] do something, I'm like, This came out so much funnier.
Ti West
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If you make just a straight scary movie, people are just - you don't know what they're thinking.
Ti West
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The first half [of Valley of Violence] was to endear you to all these people and give you all these archetypes that you're familiar with, and then the second half, just to see all those archetypes unravel like real people.
Ti West
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[Valley of Violence] was written for James Ransone. PJ's a friend of mine, I've known him for a long time, he's always like, Dude, when are we going to make a movie together? I finally called him.
Ti West
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I don't think you want to preach to people. I don't think In A Valley Of Violence, and the same with The Sacrament, there's a social commentary and a political element to both the films, but it's not like, Think this because I think this.
Ti West