If you spent your weekends in the clubs, you could see the change in the eyes of the people. They became merciless, in a way, in their desire to be entertained.

Maybe it's good that we are so slow with everything. We were saved from the damages that took place in the last 10 or 15 years in the scene.

We allow the sonic qualities themselves to develop their own momentum. It's a kind of humbling experience to put the sound first instead of the statement.

We are fascinated by the club and the dancefloor we are also fascinated by very nuanced sonic experiences, and somehow we are convinced that we can bring together these two contradictory forces and create some kind of sonic supernova. This would be the candle that has always been at the center of our project.

1999 was your last recorded output, and then Porter Ricks was put on hold until 2012.