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I have always striven to raise the voice of hope for a world where hate gives way to respect and oppression to liberation.

Theodore Bikel

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Theodore Bikel
Age: 91 †
Born: 1924
Born: May 2
Died: 2015
Died: July 21
Actor
Businessperson
Film Actor
Musician
Politician
Stage Actor
Television Actor
Trade Unionist
Vienna
Austria
Theodore Meir Bikel
Always
Raises
World
Gives
Respect
Hope
Voice
Striven
Hate
Liberation
Giving
Oppression
Way
Raise

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You don't really need modernity in order to exist totally and fully. You need a mixture of modernity and tradition.
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I am determined to give the Yiddish language a fighting chance to survive.
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What moves me is neither ethnocentric pride nor sectarian arrogance. I make no claim that Jewish culture is superior to other cultures. But it is mine.
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It's a sad thing to contemplate, but I'm the last surviving cast member of 'The African Queen.'
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For I firmly believe that Jewish life, indeed any communal life, can only be organized according to democratic principles.
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I know for certain of only one commandment, one obligation, that God imposes upon us, and that is to be compassionate toward other human beings.
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'Visiting Mr. Green' is a good play. I enjoy being in it, and I have a wonderful colleague, Aidan deSalaiz, to work with. Audiences like it a lot. What's not to like?
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We Jews have a special attachment to the Book. The study of page after page in tomes yellowing with age was obligatory.
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I am a Zionist, an ardent supporter of Israel, its defender when I deem Israel to be right and its critic when I deem it to be wrong.
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On the stage you're there, it's live. There's a beginning, a middle, an end. When something is funny you hear it right away.
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I am a universalist, passionately devoted to the cause of equality within the human family.
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I glory in the fact that a human being has multiple talents and exercises them all with a degree of integrity and artistic proficiency. That's what I do.
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An actor is supposed to emulate life. Instead, alas, many are imitating other actors. You don't fashion your knowledge of theatre or your approach to a role on the basis of what other actors have done. This kind of thinking is a great danger, especially in dealing with TV producers who frequently say things like, 'This is a Sean Connery type.'
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But there is a difference here: When Jewish children are murdered, Arabs celebrate the deed. The death of an Arab child is no cause for celebration in Israel.
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I am filled with awe that filmmakers have the capacity to stir us and give us back a sense of wonder.
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Right up to the middle of this century all perceptions of the world around us were delivered via the bookshelf or the paper route.
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I do not know who there is among us that can claim to know God's purpose and God's intent.
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John Huston was the kind of director that totally left you alone. Not every actor always does it right, every time, but most of the time he was re-directing someone. He was making tight adjustments, and not even in terms of interpretation because he knew that by the time that the character had been filmed... well, he got it right when he cast you.
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No heirloom of humankind captures the past as do art and language.
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As an artist I have an even more abiding interest in the compact between the Arts and Government.
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