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The inadequacy of the purely purpose-oriented form is revealed for what it is-a monotonous, impoverished boring practicality.
Theodor Adorno
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Theodor Adorno
Monotonous
Oriented
Purely
Revealed
Boring
Purpose
Practicality
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Impoverished
Inadequacy
More quotes by Theodor Adorno
Art as a whole is a riddle. Another way of putting this is to say that art expresses something while at the same time hiding it.
Theodor Adorno
Freedom would be not to choose between black and white but to abjure such prescribed choices.
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True thoughts are those alone which do not understand themselves.
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All testify to the coercion and sacrifice which culture imposes on man. To rely on them and deny the decline is to become even more firmly caught in its fatal coils.
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On their way toward modern science human beings have discarded meaning. The concept is replaced by the formula, the cause by rules and probability.
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The jargon of authenticity ... is a trademark of societalized chosenness, ... sub-language as superior language.
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The capacity for fear and for happiness are the same, the unrestricted openness to experience amounting to self-abandonment in which the vanquished rediscovers himself.
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He who integrates is lost.
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In many people it is already an impertinence to say 'I'.
Theodor Adorno
The dialectic cannot stop short before the conceptsof health and sickness, nor indeed before their siblings reason and unreason.
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Writing poetry after Auschwitz is barbaric.
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One must have tradition in oneself, to hate it properly.
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Because thought has by now been perverted into the solving of assigned problems, even what is not assigned is processed like a problem.
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The blessing that the market does not ask about birth is paid for in the exchange society by the fact that the possibilities conferred by birth are molded to fit the production of goods that can be bought on the market.
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Art respects the masses, by standing up to them for what they could be, rather than conforming to them in their degraded state.
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All satire is blind to the forces liberated by decay. Which is why total decay has absorbed the forces of satire.
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Everything that has ever been called folk art has always reflected domination.
Theodor Adorno
In the nineteenth century the Germans painted their dream and the outcome was invariably vegetable. The French needed only to paint a vegetable and it was already a dream.
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The taboos that constitute a man's intellectual stature, often sedimented experiences and unarticulated insights, always operate against inner impulses that he has learned to condemn, but which are so strong that only an unquestioning and unquestioned authority can hold them in check.
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In Anglo-Saxon countries the prostitutes look as if they purveyed, along with sin, the attendant pains of hell.
Theodor Adorno