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In the nineteenth century the Germans painted their dream and the outcome was invariably vegetable. The French needed only to paint a vegetable and it was already a dream.
Theodor Adorno
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More quotes by Theodor Adorno
Love is the ability to discover similarities in the dis-similar. The audience has a right not to be fooled - even if it insists on being fooled.
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Every work of art is an uncommitted crime.
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Everybody must have projects all the time. The maximum must be extracted from leisure ... The whole of life must look like a job, and by this resemblance conceal what is not yet directly devoted to pecuniary gain.
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The noiseless din that we have long known in dreams, booms at us in waking hours from newspaper headlines.
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Fear and destructiveness are the major emotional sources of fascism, eros belongs mainly to democracy.
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All testify to the coercion and sacrifice which culture imposes on man. To rely on them and deny the decline is to become even more firmly caught in its fatal coils.
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What the philosophers once knew as life has become the sphere of private existence and now of mere consumption, dragged along as an appendage of the process of material production, without autonomy or substance of its own.
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The human is indissolubly linked with imitation: a human being only becomes human at all by imitating other human beings.
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The idea that after this war life will continue 'normally' or even that culture might be 'rebuilt' - as if the rebuilding of culture were not already its negation - is idiotic.
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Work while you work, play while you play - this is a basic rule of repressive self-discipline.
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Jazz is the false liquidation of art - instead of utopia becoming reality it disappears from the picture.
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Dissonance is the truth about harmony.
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It is not the office of art to spotlight alternatives, but to resist by its form alone the course of the world, which permanently puts a pistol to men's heads.
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Lies are told only to convey to someone that one has no need either of him or his good opinion.
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The usual reproach against the essay, that it is fragmentary and random, itself assumes the givenness of totality and suggests that man is in control of this totality. The desire of the essay, though, is not to filter the eternal out of the transitory it wants, rather, to make the transitory eternal.
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In psycho-analysis nothing is true except the exaggerations.
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Of the world as it exists, it is not possible to be enough afraid.
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Only a humanity to whom death has become as indifferent as its members, that has itself died, can inflict it administratively on innumerable people.
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Dialectic thought is an attempt to break through the coercion of logic by its own means.
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