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In the nineteenth century the Germans painted their dream and the outcome was invariably vegetable. The French needed only to paint a vegetable and it was already a dream.
Theodor Adorno
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Theodor Adorno
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More quotes by Theodor Adorno
In the general tendency toward specialization, philosophy too has established itself as a specialized discipline, one purified of all specific content. In so doing, philosophy has denied its own constitutive concept: the intellectual freedom that does not obey the dictates of specialized knowledge.
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The empirical usability of the sacred ceremonial words makes both the speaker and listener believe in their corporeal presence.
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He who integrates is lost.
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Today self-consciousness no longer means anything but reflection on the ego as embarrassment, as realization of impotence: knowing that one is nothing.
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They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
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Happiness is obsolete: uneconomic.
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Work while you work, play while you play - this is a basic rule of repressive self-discipline.
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The blessing that the market does not ask about birth is paid for in the exchange society by the fact that the possibilities conferred by birth are molded to fit the production of goods that can be bought on the market.
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History does not merely touch on language, but takes place in it.
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Only a humanity to whom death has become as indifferent as its members, that has itself died, can inflict it administratively on innumerable people.
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Everything that has ever been called folk art has always reflected domination.
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Very evil people cannot really be imagined dying.
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The usual reproach against the essay, that it is fragmentary and random, itself assumes the givenness of totality and suggests that man is in control of this totality. The desire of the essay, though, is not to filter the eternal out of the transitory it wants, rather, to make the transitory eternal.
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Art respects the masses, by standing up to them for what they could be, rather than conforming to them in their degraded state.
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The forms of art reflect the history of man more truthfully than do documents themselves.
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It is not the office of art to spotlight alternatives, but to resist by its form alone the course of the world, which permanently puts a pistol to men's heads.
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The human is indissolubly linked with imitation: a human being only becomes human at all by imitating other human beings.
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