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The empirical usability of the sacred ceremonial words makes both the speaker and listener believe in their corporeal presence.

Theodor Adorno

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Theodor Adorno
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Happiness is obsolete: uneconomic.
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It is Proust's courtesy to spare the reader the embarrassment of believing himself cleverer than the author.
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In myths the warrant of grace was the acceptance of sacrifice it is this acceptance that love, the re-enactment of sacrifice, beseeches if it is not to feel under a curse.
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They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
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For a man who no longer has a homeland, writing becomes a place to live.
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The gods look in pleasure on penitent sinners.
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A successful work of art is not one which resolves objective contradictions in a spurious harmony, but one which expresses the idea of harmony negatively by embodying the contradictions, pure and uncompromised, in its innermost structure.
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Very evil people cannot really be imagined dying.
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There is no love that is not an echo.
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The straight line is regarded as the shortest distance between two people, as if they were points.
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The man for whom time stretches out painfully is one waiting in vain, disappointed at not finding tomorrow already continuing yesterday.
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Jazz is the false liquidation of art - instead of utopia becoming reality it disappears from the picture.
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In the end, the writer is not even allowed to live in his writing.
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Whoever is versed in the jargon does not have to say what he thinks, does not even have to think it properly. The jargon takes over this task.
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People have so manipulated the concept of freedom that it finally boils down to the right of the stronger and richer to take from the weaker and poorer whatever they still have.
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The usual reproach against the essay, that it is fragmentary and random, itself assumes the givenness of totality and suggests that man is in control of this totality. The desire of the essay, though, is not to filter the eternal out of the transitory it wants, rather, to make the transitory eternal.
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Today self-consciousness no longer means anything but reflection on the ego as embarrassment, as realization of impotence: knowing that one is nothing.
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Fear and destructiveness are the major emotional sources of fascism, eros belongs mainly to democracy.
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Only a humanity to whom death has become as indifferent as its members, that has itself died, can inflict it administratively on innumerable people.
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Of the world as it exists, it is not possible to be enough afraid.
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