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Everybody must have projects all the time. The maximum must be extracted from leisure ... The whole of life must look like a job, and by this resemblance conceal what is not yet directly devoted to pecuniary gain.
Theodor Adorno
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Theodor Adorno
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More quotes by Theodor Adorno
Talent is perhaps nothing other than successfully sublimated rage.
Theodor Adorno
The forms of art reflect the history of man more truthfully than do documents themselves.
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Love is the power to see similarity in the dissimilar.
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The noiseless din that we have long known in dreams, booms at us in waking hours from newspaper headlines.
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Dissonance is the truth about harmony.
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Bourgeois society is ruled by equivalence. It makes the dissimilar comparable by reducing it to abstract quantities. To the enlightenment, that which does not reduce to numbers, and ultimately to the one, becomes illusion.
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The straight line is regarded as the shortest distance between two people, as if they were points.
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All testify to the coercion and sacrifice which culture imposes on man. To rely on them and deny the decline is to become even more firmly caught in its fatal coils.
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It is one of the basic tenets of fascist leadership to keep primary libidinal energy on an unconscious level so as to divert its manifestations in a way suitable to political ends.
Theodor Adorno
History does not merely touch on language, but takes place in it.
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Whoever is versed in the jargon does not have to say what he thinks, does not even have to think it properly. The jargon takes over this task.
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For a man who no longer has a homeland, writing becomes a place to live.
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The important thing is not the planning of an Index Verborum Prohibitorum of current noble nouns, but rather the examination of their linguistic function.
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Vague expression permits the hearer to imagine whatever suits him and what he already thinks in any case.
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Once the last trace of emotion has been eradicated, nothing remains of thought but absolute tautology.
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Domination delegates the physical violence on which it rests to the dominated.
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Philosophy ... must not bargain away anything of the emphatic concept of truth.
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They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
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And how comfortless is the thought that the sickness of the normal does not necessarily imply as its opposite the health of the sick, but that the latter usually only present, in a different way, the same disastrous pattern.
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In the end, the writer is not even allowed to live in his writing.
Theodor Adorno