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Life has changed into a timeless succession of shocks, interspaced with empty, paralysed intervals.

Theodor Adorno

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Theodor Adorno
Shocks
Intervals
Succession
Timeless
Shock
Empty
Changed
Life
Paralysed

More quotes by Theodor Adorno

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The recent past always presents itself as if destroyed by catastrophes.
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The expression if history in things is no other than that of past torment.
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In Anglo-Saxon countries the prostitutes look as if they purveyed, along with sin, the attendant pains of hell.
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Knowledge, which is power, knows no limits, either in its enslavement of creation or in its deference to worldly masters.
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A pencil and rubber are of more use to thought than a battalion of assistants. To happiness the same applies as to truth: one does not have it, but is in it.
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Auschwitz begins wherever someone looks at a slaughterhouse and thinks: they’re only animals.
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The splinter in your eye is the best magnifying-glass available.
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Because thought has by now been perverted into the solving of assigned problems, even what is not assigned is processed like a problem.
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The bourgeois ... is tolerant. His love for people as they are stems from his hatred of what they might be.
Theodor Adorno
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The creed of evil has been, since the beginnings of highly industrialized society, not only a precursor of barbarism but a mask of good. The worth of the latter was transferred to the evil that drew to itself all the hatred and resentment of an order which drummed good into its adherents so that it could with impunity be evil.
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It is not the office of art to spotlight alternatives, but to resist by its form alone the course of the world, which permanently puts a pistol to men's heads.
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The task of art today is to bring chaos into order. Artistic productivity is the capacity for being voluntarily involuntary.
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One must have tradition in oneself, to hate it properly.
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The power of the culture industry's ideology is such that conformity has replaced consciousness
Theodor Adorno
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Everything that has ever been called folk art has always reflected domination.
Theodor Adorno
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In the end, the writer is not even allowed to live in his writing.
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Fear and destructiveness are the major emotional sources of fascism, eros belongs mainly to democracy.
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Love is the power to see similarity in the dissimilar.
Theodor Adorno
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Technology is making gestures precise and brutal, and with them men.
Theodor Adorno
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They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
Theodor Adorno