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In psycho-analysis nothing is true except the exaggerations.
Theodor Adorno
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Theodor Adorno
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More quotes by Theodor Adorno
The need to let suffering speak is a condition of all truth. For suffering is objectivity that weighs upon the subject
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The jargon of authenticity ... is a trademark of societalized chosenness, ... sub-language as superior language.
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Thinking no longer means anymore than checking at each moment whether one can indeed think.
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The usual reproach against the essay, that it is fragmentary and random, itself assumes the givenness of totality and suggests that man is in control of this totality. The desire of the essay, though, is not to filter the eternal out of the transitory it wants, rather, to make the transitory eternal.
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Art respects the masses, by standing up to them for what they could be, rather than conforming to them in their degraded state.
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He who integrates is lost.
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The sublime is only a step removed from the ridiculous.
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Fear and destructiveness are the major emotional sources of fascism, eros belongs mainly to democracy.
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In the age of the individual's liquidation, the question of individuality must be raised anew.
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Very evil people cannot really be imagined dying.
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The dialectic cannot stop short before the conceptsof health and sickness, nor indeed before their siblings reason and unreason.
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The capacity for fear and for happiness are the same, the unrestricted openness to experience amounting to self-abandonment in which the vanquished rediscovers himself.
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They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
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Fascism is itself less 'ideological', in so far as it openly proclaims the principle of domination that is elsewhere concealed.
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The human is indissolubly linked with imitation: a human being only becomes human at all by imitating other human beings.
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Art is magic delivered from the lie of being truth.
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In the nineteenth century the Germans painted their dream and the outcome was invariably vegetable. The French needed only to paint a vegetable and it was already a dream.
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The expression if history in things is no other than that of past torment.
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The recent past always presents itself as if destroyed by catastrophes.
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History does not merely touch on language, but takes place in it.
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