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Fear and destructiveness are the major emotional sources of fascism, eros belongs mainly to democracy.
Theodor Adorno
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Theodor Adorno
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More quotes by Theodor Adorno
Everything that has ever been called folk art has always reflected domination.
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In the end, the writer is not even allowed to live in his writing.
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Philosophy that satisfies its own intention, and does not childishly skip behind its own history and the real one, has its lifeblood in the resistance against the common practices of today and what they serve, against the justification of what happens to be the case.
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And how comfortless is the thought that the sickness of the normal does not necessarily imply as its opposite the health of the sick, but that the latter usually only present, in a different way, the same disastrous pattern.
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All testify to the coercion and sacrifice which culture imposes on man. To rely on them and deny the decline is to become even more firmly caught in its fatal coils.
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Of the world as it exists, it is not possible to be enough afraid.
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The basest person is capable of perceiving the weaknesses of the greatest, the most stupid, the errors in the thought of the most intelligent.
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Talent is perhaps nothing other than successfully sublimated rage.
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Thinking no longer means anymore than checking at each moment whether one can indeed think.
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The recent past always presents itself as if destroyed by catastrophes.
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The triumph of advertising in the culture industry is that consumers feel compelled to buy and use its products even though they see through them.
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Only a humanity to whom death has become as indifferent as its members, that has itself died, can inflict it administratively on innumerable people.
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The important thing is not the planning of an Index Verborum Prohibitorum of current noble nouns, but rather the examination of their linguistic function.
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On their way toward modern science human beings have discarded meaning. The concept is replaced by the formula, the cause by rules and probability.
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The darkening of the world makes the irrationality of art rational: radically darkened art.
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