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Talent is perhaps nothing other than successfully sublimated rage.

Theodor Adorno

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Theodor Adorno
Rage
Perhaps
Talent
Nothing
Sublimated
Successfully

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And how comfortless is the thought that the sickness of the normal does not necessarily imply as its opposite the health of the sick, but that the latter usually only present, in a different way, the same disastrous pattern.
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Proletarian language is dictated by hunger. The poor chew words to fill their bellies.
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None of the abstract concepts comes closer to fulfilled utopia than that of eternal peace.
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The triumph of advertising in the culture industry is that consumers feel compelled to buy and use its products even though they see through them.
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Wrong life cannot be lived rightly.
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What the philosophers once knew as life has become the sphere of private existence and now of mere consumption, dragged along as an appendage of the process of material production, without autonomy or substance of its own.
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Horror is beyond the reach of psychology.
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Domination delegates the physical violence on which it rests to the dominated.
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The power of the culture industry's ideology is such that conformity has replaced consciousness
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For a man who no longer has a homeland, writing becomes a place to live.
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It is not the office of art to spotlight alternatives, but to resist by its form alone the course of the world, which permanently puts a pistol to men's heads.
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Love is the ability to discover similarities in the dis-similar. The audience has a right not to be fooled - even if it insists on being fooled.
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Everything that has ever been called folk art has always reflected domination.
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Life has changed into a timeless succession of shocks, interspaced with empty, paralysed intervals.
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The gods look in pleasure on penitent sinners.
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Thinking no longer means anymore than checking at each moment whether one can indeed think.
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What can oppose the decline of the west is not a resurrected culture but the utopia that is silently contained in the image of its decline.
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In the nineteenth century the Germans painted their dream and the outcome was invariably vegetable. The French needed only to paint a vegetable and it was already a dream.
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The important thing is not the planning of an Index Verborum Prohibitorum of current noble nouns, but rather the examination of their linguistic function.
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In psycho-analysis nothing is true except the exaggerations.
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