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The sublime is only a step removed from the ridiculous.
Theodor Adorno
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Theodor Adorno
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More quotes by Theodor Adorno
Love is the ability to discover similarities in the dis-similar. The audience has a right not to be fooled - even if it insists on being fooled.
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Freedom would be not to choose between black and white but to abjure such prescribed choices.
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Everybody must have projects all the time. The maximum must be extracted from leisure ... The whole of life must look like a job, and by this resemblance conceal what is not yet directly devoted to pecuniary gain.
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Horror is beyond the reach of psychology.
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All satire is blind to the forces liberated by decay. Which is why total decay has absorbed the forces of satire.
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None of the abstract concepts comes closer to fulfilled utopia than that of eternal peace.
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In the nineteenth century the Germans painted their dream and the outcome was invariably vegetable. The French needed only to paint a vegetable and it was already a dream.
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Art is magic delivered from the lie of being truth.
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Jazz is the false liquidation of art - instead of utopia becoming reality it disappears from the picture.
Theodor Adorno
The power of the culture industry's ideology is such that conformity has replaced consciousness
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Life has changed into a timeless succession of shocks, interspaced with empty, paralysed intervals.
Theodor Adorno
Wrong life cannot be lived rightly.
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In the general tendency toward specialization, philosophy too has established itself as a specialized discipline, one purified of all specific content. In so doing, philosophy has denied its own constitutive concept: the intellectual freedom that does not obey the dictates of specialized knowledge.
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The new human type cannot be properly understood without awareness of what he is continuously exposed to from the world of things about him, even in his most secret innervations.
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He who integrates is lost.
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History does not merely touch on language, but takes place in it.
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For a man who no longer has a homeland, writing becomes a place to live.
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A successful work of art is not one which resolves objective contradictions in a spurious harmony, but one which expresses the idea of harmony negatively by embodying the contradictions, pure and uncompromised, in its innermost structure.
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True thoughts are those alone which do not understand themselves.
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And how comfortless is the thought that the sickness of the normal does not necessarily imply as its opposite the health of the sick, but that the latter usually only present, in a different way, the same disastrous pattern.
Theodor Adorno