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Dissonance is the truth about harmony.

Theodor Adorno

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Theodor Adorno
Truth
Dissonance
Harmony

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In Anglo-Saxon countries the prostitutes look as if they purveyed, along with sin, the attendant pains of hell.
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The basest person is capable of perceiving the weaknesses of the greatest, the most stupid, the errors in the thought of the most intelligent.
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In myths the warrant of grace was the acceptance of sacrifice it is this acceptance that love, the re-enactment of sacrifice, beseeches if it is not to feel under a curse.
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The empirical usability of the sacred ceremonial words makes both the speaker and listener believe in their corporeal presence.
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The creed of evil has been, since the beginnings of highly industrialized society, not only a precursor of barbarism but a mask of good. The worth of the latter was transferred to the evil that drew to itself all the hatred and resentment of an order which drummed good into its adherents so that it could with impunity be evil.
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Wrong life cannot be lived rightly.
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The triumph of advertising in the culture industry is that consumers feel compelled to buy and use its products even though they see through them.
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Thinking no longer means anymore than checking at each moment whether one can indeed think.
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As a constellation, theoretical thought circles the concept it would like to unseal, hoping that it may fly open like the lock of a well-guarded safe-deposit box: in response, not to a single key or a single number, but to a combination of numbers
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The new human type cannot be properly understood without awareness of what he is continuously exposed to from the world of things about him, even in his most secret innervations.
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Lies are told only to convey to someone that one has no need either of him or his good opinion.
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Knowledge, which is power, knows no limits, either in its enslavement of creation or in its deference to worldly masters.
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Art as a whole is a riddle. Another way of putting this is to say that art expresses something while at the same time hiding it.
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In the nineteenth century the Germans painted their dream and the outcome was invariably vegetable. The French needed only to paint a vegetable and it was already a dream.
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On their way toward modern science human beings have discarded meaning. The concept is replaced by the formula, the cause by rules and probability.
Theodor Adorno
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In the end, the writer is not even allowed to live in his writing.
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The expression if history in things is no other than that of past torment.
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Freedom would be not to choose between black and white but to abjure such prescribed choices.
Theodor Adorno
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Art is magic delivered from the lie of being truth.
Theodor Adorno
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The capacity for fear and for happiness are the same, the unrestricted openness to experience amounting to self-abandonment in which the vanquished rediscovers himself.
Theodor Adorno