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What can oppose the decline of the west is not a resurrected culture but the utopia that is silently contained in the image of its decline.
Theodor Adorno
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Theodor Adorno
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More quotes by Theodor Adorno
The splinter in your eye is the best magnifying-glass available.
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The power of the culture industry's ideology is such that conformity has replaced consciousness
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In psycho-analysis nothing is true except the exaggerations.
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Fear and destructiveness are the major emotional sources of fascism, eros belongs mainly to democracy.
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The dialectic cannot stop short before the conceptsof health and sickness, nor indeed before their siblings reason and unreason.
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The bourgeois ... is tolerant. His love for people as they are stems from his hatred of what they might be.
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The straight line is regarded as the shortest distance between two people, as if they were points.
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If time is money, it seems moral to save time, above all one's own, and such parsimony is excused by consideration for others. One is straight-forward.
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The important thing is not the planning of an Index Verborum Prohibitorum of current noble nouns, but rather the examination of their linguistic function.
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A successful work of art is not one which resolves objective contradictions in a spurious harmony, but one which expresses the idea of harmony negatively by embodying the contradictions, pure and uncompromised, in its innermost structure.
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In myths the warrant of grace was the acceptance of sacrifice it is this acceptance that love, the re-enactment of sacrifice, beseeches if it is not to feel under a curse.
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Life has changed into a timeless succession of shocks, interspaced with empty, paralysed intervals.
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In Anglo-Saxon countries the prostitutes look as if they purveyed, along with sin, the attendant pains of hell.
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The new human type cannot be properly understood without awareness of what he is continuously exposed to from the world of things about him, even in his most secret innervations.
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In the general tendency toward specialization, philosophy too has established itself as a specialized discipline, one purified of all specific content. In so doing, philosophy has denied its own constitutive concept: the intellectual freedom that does not obey the dictates of specialized knowledge.
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The recent past always presents itself as if destroyed by catastrophes.
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Horror is beyond the reach of psychology.
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They [the critics] deal with Schoenberg's early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
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Wrong life cannot be lived rightly.
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